The condensed fonts were drawn by Ed Benguiat in and the obliques were designed by André Gürtler, Erich Gschwind and Christian Mengelt in An avant garde feel to typography. Slanted letters, elongated aspects, proportion and arrangement.
I know that the designer made the numbers in this piece so huge and graphic for a reason, but I don't find it successful personally. I don't know how I would change it, maybe make it smaller, or the type on the bottom larger.
This split image and type is design well because of the greyscale coloring. Target audience Design- overall the font selection was perfect because it is still readable. I like the white space on the right gives the illustration depth.