Marta Ianni
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Egon Schiele Bildnis der Tänzerin Moa (1911)

EGON SCHIELE, TWO SEATED WOMEN, 1911 Pencil on paper, 559 x 371 mm ZWEI SITZENDE, 1911, Bleistift auf Papier, 559 x 371 mm This 1911 study of two seated female nudes was drawn at a time when Egon Schiele had achieved artistic maturity and found his personal style after his first schoolboyish experiments and the influence of Secessio-nism in his early work. The concentration on the linear outline against an empty, spaceless background of course has echoes of the tremendous influen

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