Quiet Ensemble

Quiet Ensemble

Rome_Italy / Quiet ensemble is born in 2009 from the meeting between Fabio Di Salvo | Bernardo Vercelli.
Quiet Ensemble
Altre idee da Quiet
A selection of the latest works by the Quiet ensemble.

A selection of the latest works by the Quiet ensemble.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.

In this version of Faust, theatre becomes the instrument that determines the performance. The action is orchestrated by the equipment of the space and the sounds are determined by their technical functions, simultaneously to the work’s creation.