News 2015 - MONTERA, design Roberto Lazzeroni

The Montera becomes a collection. Roberto Lazzeroni revisits the distinctive traits of the chair and instils them in the armchair and stool. The seat of the armchair is more relaxed, the backrest is lowered almost imperceptibly, whilst the two characteristic side wings are widened and lengthened to form enveloping armrests. .
The seat comes in a new stackable version with base comprising four steel legs in the evocative blasted and burnished finish, which gives the metal renewed warmth. The seats can now be stacked thanks to their reduced dimensions and the more tapered shape of the legs, as well as the plastic insert upholstered with Pelle Frau® leather which prevents direct contact between the steel of the base and the leather shell.  Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

The seat comes in a new stackable version with base comprising four steel legs in the evocative blasted and burnished finish, which gives the metal renewed warmth. The seats can now be stacked thanks to their reduced dimensions and the more tapered shape of the legs, as well as the plastic insert upholstered with Pelle Frau® leather which prevents direct contact between the steel of the base and the leather shell. Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

The seat of the armchair is more relaxed, the backrest is lowered almost imperceptibly, whilst the two characteristic side wings are widened and lengthened to form enveloping armrests.  Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

The seat of the armchair is more relaxed, the backrest is lowered almost imperceptibly, whilst the two characteristic side wings are widened and lengthened to form enveloping armrests. Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

The seats can now be stacked thanks to their reduced dimensions and the more tapered shape of the legs, as well as the plastic insert upholstered with Pelle Frau® leather which prevents direct contact between the steel of the base and the leather shell.  Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

The seats can now be stacked thanks to their reduced dimensions and the more tapered shape of the legs, as well as the plastic insert upholstered with Pelle Frau® leather which prevents direct contact between the steel of the base and the leather shell. Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

The Montera becomes a collection. Roberto Lazzeroni revisits the distinctive traits of the chair and instils them in the armchair and stool.  The seat of the armchair is more relaxed, the backrest is lowered almost imperceptibly, whilst the two characteristic side wings are widened and lengthened to form enveloping armrests.  Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

The Montera becomes a collection. Roberto Lazzeroni revisits the distinctive traits of the chair and instils them in the armchair and stool. The seat of the armchair is more relaxed, the backrest is lowered almost imperceptibly, whilst the two characteristic side wings are widened and lengthened to form enveloping armrests. Discover more on: http://poltronafrau.com/en/catalogue/collection/montera

AD FRANCE - MONTERA, design Roberto Lazzeroni

AD FRANCE - MONTERA, design Roberto Lazzeroni

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

The “Montera” chair, the common denominator in the designer’s work is the lightness of form and, above all, the sensory charm of leather.

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