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Zaccheo il nano che diventa immenso (Commento alla 31 domenica del tempo ordinario anno C. by Leptone errante

Zaccheo il nano che diventa immenso (Commento alla 31 domenica del tempo ordinario anno C. by Leptone errante

La terza tentazione di Gesù (Lc 4,9-12). By Leptone errante

La terza tentazione di Gesù (Lc 4,9-12). By Leptone errante

Scivias

Scivias

Santa Escolástica, Irmã de S. Bento

Santa Escolástica, Irmã de S. Bento

ROME, DOMITILLA CATACOMBS, ORPHEUS. Rome – Roma (Italy), Domitilla-Catacombs – Catacombe di Domitilla, Grave by a staircase.  Orpheus enchants the wild animals with his music.  Early Christian mural, 3rd Century. 50 × 90 cm.

ROME, DOMITILLA CATACOMBS, ORPHEUS. Rome – Roma (Italy), Domitilla-Catacombs – Catacombe di Domitilla, Grave by a staircase. Orpheus enchants the wild animals with his music. Early Christian mural, 3rd Century. 50 × 90 cm.

NATIVIT-Gentile-da-Fabriano.jpg (1500×602)

NATIVIT-Gentile-da-Fabriano.jpg (1500×602)

Ildegarda di Bingen

Ildegarda di Bingen

ANDREA MANTEGNA – ADORAZIONE DEI PASTORI - Cerca con Google

ANDREA MANTEGNA – ADORAZIONE DEI PASTORI - Cerca con Google

In this short film, Eno explains the themes that inform and inspire his particular vision of light and time manipulation. Shot with RGB+D cameras and featuring the New York exhibit of 77 Million Paintings, this is the definitive short film about Brian Eno as a visual artist.

In this short film, Eno explains the themes that inform and inspire his particular vision of light and time manipulation. Shot with RGB+D cameras and featuring the New York exhibit of 77 Million Paintings, this is the definitive short film about Brian Eno as a visual artist.

marianne von werefkin | Ave Maria , anno 1927, Fondazione Comunale, d'Arte Moderna, Ascona.

marianne von werefkin | Ave Maria , anno 1927, Fondazione Comunale, d'Arte Moderna, Ascona.

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