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My immediate reaction: "I DO NOT KNOW WHAT IS HAPPENING IN THIS DRESS BUT PLEASE CAN IT KEEP HAPPENING." | Madame Gres French evening dress, 1950's.

Evening Dress Madame Grès, early The Museum of Fine Arts, Boston The Greek inspiration combined with the fashion of the time is perfection. The addition of black to the cream makes both colors really pop and gives it that extra special something

Bustle gown with ball and dinner bodices, by Charles Frederick Worth, circa 1885. Silk brocade, silk satin, and cotton lace. The fabric has stalks of grain and large blossoms, common motifs in Worth's designs. Acquired by the Phoenix Art Museum Collection in 2007 for the exhibit "After Dark: 100 Years of the Evening Dress."

Bustle gown with both ball and dinner bodices by Charles Frederick Worth, Silk brocade, silk satin, and cotton lace. The fabric has stalks of grain and large blossoms, common motifs in Worth's designs.

Cream crinoline gown with blue embroidery, by Norman Hartnell. Worn by Queen Elizabeth II during the Tour of Canada and the United States of America, October 1957. The Royal Collection © 2008, Her Majesty Queen Elizabeth II. Black-and-white photo "Queen Elizabeth in Williamsburg, dated October 16, 1957: Queen Elizabeth attends dinner at the historical old Williamsburg Inn, USA /original photo (via romanbenedikhanson on Flickr). CLICK THROUGH FOR LARGER IMAGES.

Cream crinoline gown with blue embroidery, by Norman Hartnell. Worn by Queen Elizabeth II during the Tour of Canada and the United States of America, October Black-and-white photo "Queen Elizabeth in Williamsburg, dated October

Wedding dress, English, ca. 1869-70. Two pieces. Blue silk grosgrain with white lace trimming around edge of bodice and cuffs.

This blue silk, grosgrain dress was worn as a wedding dress. The skirt and bodice are separate. It has white lace trimming around the edge of the bodice and the cuffs (UK, In the Royal Albert Memorial Museum & Art Gallery and the Exeter City Council.

Jeanne Lanvin, 1923. Evening Dress. Front view. White tulle, overall pink ombré ribbonwork embroidery, rosettes in modified latticework pattern; pink crepe de chine a. Dress: Tubular; mid-calf length; dropped-waist bodice; sleeveless; bateau neck; skirt gathered at waistband; CF opening on skirt b. Slip: Pink crepe de chine; tubular; sleeveless; square neck

Jeanne Lanvin S/S 1923 'Roseraie' dress. Image 1 of The Metropolitan Museum of Art, New York. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, Anonymous gift, 1964 b)

Ava Gardner    Pierre Balmain dress ca. 1953 via The Costume Institute of the Metropolitan Museum of Art

Balmain Dress - 1953 - House of Balmain Design by Pierre Balmain (French, - Silk, nylon, metallic embroidery, sequins.

Goldwork  Would so much wear. Bursnished metal. Essence color below?

The Metropolitan Museum of Art Evening ensemble House of Chanel (French, founded Designer: Karl Lagerfeld (French, born Hamburg,

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