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Suor Plautilla Nelli, Santa Caterina de' Ricci, olio su tela, Siena, Convento di San Domenico

Suor Plautilla Nelli, Santa Caterina de' Ricci, olio su tela, Siena, Convento di San Domenico

Lorenzo Lotto, Nozze mistiche di Santa Caterina d’Alessandria e il committente Niccolò Bonghi, 1523, olio su tela Bergamo, Accademia Carrara, cm 189,3 x 134,3.

Lorenzo Lotto, Nozze mistiche di Santa Caterina d’Alessandria e il committente Niccolò Bonghi, 1523, olio su tela Bergamo, Accademia Carrara, cm 189,3 x 134,3.

Lukas Cranach il Vecchio (1572–53), Ritratti di Martin Lutero e Caterina von Bora, olio su tavola, Firenze, Galleria delle Statue e delle Pitture degli Uffizi.

Lukas Cranach il Vecchio (1572–53), Ritratti di Martin Lutero e Caterina von Bora, olio su tavola, Firenze, Galleria delle Statue e delle Pitture degli Uffizi.

A parcel-gilt grisaille enamel diptych of the Seven Sorrows of The Virgin and The Death of The Virgin by Pierre Reymond (c. 1513-after 1584), Limoges, circa 1540’s, the case possibly 16th or 17th century. Signed P.R and the case possibly bearing the arms of the de Sarrazin, du Rousset or de Varisque families, 11 ¼ in. (27.9 cm.) high, 15 in. (38.1 cm.) wide, 1 1/8 in. (2.5 cm.) deep, overall open.

A parcel-gilt grisaille enamel diptych of the Seven Sorrows of The Virgin and The Death of The Virgin by Pierre Reymond (c. 1513-after 1584), Limoges, circa 1540’s, the case possibly 16th or 17th century. Signed P.R and the case possibly bearing the arms of the de Sarrazin, du Rousset or de Varisque families, 11 ¼ in. (27.9 cm.) high, 15 in. (38.1 cm.) wide, 1 1/8 in. (2.5 cm.) deep, overall open.

Baiser de paix cintré en ivoire sculpté d'un Christ avec la Vierge et Saint Jean dans une triple arcature. XVIe siècle. Plaquette en ivoire sculpté en bas-relief d'une scène de l'Annonciation dans une arcature gothique. XVe siècle.  Photo Beaussant-Lefèvre

Baiser de paix cintré en ivoire sculpté d'un Christ avec la Vierge et Saint Jean dans une triple arcature. XVIe siècle. Plaquette en ivoire sculpté en bas-relief d'une scène de l'Annonciation dans une arcature gothique. XVe siècle. Photo Beaussant-Lefèvre

Plat à ombilic : coq, Manisès, 1er quart du 16e siècle, céramique hispano-mauresque, faience à lustre métallique. H: 4 cm-D: 36,5 cm. Paris, musée de Cluny - musée national du Moyen Âge, CL1596b. Photo © RMN-Grand Palais (musée de Cluny - musée national du Moyen-Âge) / Jean-Luc Mabit

Plat à ombilic : coq, Manisès, 1er quart du 16e siècle, céramique hispano-mauresque, faience à lustre métallique. H: 4 cm-D: 36,5 cm. Paris, musée de Cluny - musée national du Moyen Âge, CL1596b. Photo © RMN-Grand Palais (musée de Cluny - musée national du Moyen-Âge) / Jean-Luc Mabit

School of Jheronimus Bosch, mid 16th century, The Temptations of Saint Anthony.Oil on panel, 28 x 38 cm. Courtesy Galerie Florence de Voldère

School of Jheronimus Bosch, mid 16th century, The Temptations of Saint Anthony.Oil on panel, 28 x 38 cm. Courtesy Galerie Florence de Voldère

Giuseppe Scalia GIROLAMO SAVONAROLA E SANTA CATERINA DE' RICCI 1924 | eBay

Dettagli su Giuseppe Scalia GIROLAMO SAVONAROLA E SANTA CATERINA DE' RICCI 1924

Giuseppe Scalia GIROLAMO SAVONAROLA E SANTA CATERINA DE' RICCI 1924 | eBay

Federico Barocci, 'Last Supper', 1590-99. Oil on canvas, 298 x 318 cm. Chapel of the Santissimo Sacramento, Cathedral, Urbino. Photo © Scala, Florence - courtesy of Ufficio Beni Culturali Diocesi di Urbino.

Federico Barocci, 'Last Supper', 1590-99. Oil on canvas, 298 x 318 cm. Chapel of the Santissimo Sacramento, Cathedral, Urbino. Photo © Scala, Florence - courtesy of Ufficio Beni Culturali Diocesi di Urbino.

Palma Vecchio (Jacopo Negretti), Portrait of a young woman known as "La Bella", ca. 1518-20. Oil on canvas. 95 x 80 cm © Museo Thyssen-Bornemisza, Madrid

Palma Vecchio (Jacopo Negretti), Portrait of a young woman known as "La Bella", ca. 1518-20. Oil on canvas. 95 x 80 cm © Museo Thyssen-Bornemisza, Madrid

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