Can anyone explain how these century etchings were so detailed, and why etching today seems incomparable? Is it a lost art? Are there still engravers doing this type of work? Is it the same classical/modern art debate?
Gustave Doré, The Rime Of The Ancient Mariner Gustave Doré The Rime Of The Ancient Mariner Part VII. (This Hermit good lives in that wood.) by Samuel Taylor Coleridge Lovers I 1000 quadri più belli di tutti i tempi … Continue reading →