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Ferenc Helbing - Krieg

Ferenc Helbing - Krieg

Baron Dominique Vivant Denon, (French, 1747–1825). Replacements in the Parisian Guard Playing Cards in 1795, ca.1795. The Metropolitan Museum of Art, New York. Rogers Fund, 1962 (62.119.7b) #paris

Baron Dominique Vivant Denon, (French, 1747–1825). Replacements in the Parisian Guard Playing Cards in 1795, ca.1795. The Metropolitan Museum of Art, New York. Rogers Fund, 1962 (62.119.7b) #paris

Empty Nest Original Etching by Nicholas Wilson

Empty Nest Original Etching by Nicholas Wilson

Goya (Spanish, 1746–1828). Nightmare; Witches and Old Women;  Album (D), page 20, ca. 1819–23. The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.27) #witches #Halloween

Goya (Spanish, 1746–1828). Nightmare; Witches and Old Women; Album (D), page 20, ca. 1819–23. The Metropolitan Museum of Art, New York. Rogers Fund, 1919 (19.27) #witches #Halloween

Le Serpent de la Genèse: Le Temple de Satan (Stanislas de Guaita, 1891).

Le Serpent de la Genèse: Le Temple de Satan (Stanislas de Guaita, 1891).

The Deserted Farm - wood engraving by George Mackley, 1952 by mikeyashworth, via Flickr

The Deserted Farm - wood engraving by George Mackley, 1952 by mikeyashworth, via Flickr

Albrecht Dürer (German,1471–1528). Melencolia I, 1514. The Metropolitan Museum of Art, New York. Bequest of Harris Brisbane Dick Fund, 1943 (43.106.1)

Albrecht Dürer (German,1471–1528). Melencolia I, 1514. The Metropolitan Museum of Art, New York. Bequest of Harris Brisbane Dick Fund, 1943 (43.106.1)

Clare Leighton: Bread Line, New York, 1932 wood engraving

Clare Leighton: Bread Line, New York, 1932 wood engraving

images from the 18th century manuscript on alchemy Clavis Artis, attributed to Zoroaster. Biblioteca dell’Accademia Nazionale dei Lincei, Roma.

images from the 18th century manuscript on alchemy Clavis Artis, attributed to Zoroaster. Biblioteca dell’Accademia Nazionale dei Lincei, Roma.

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