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Cacaotree, Аrquà Petrarca, 1907 Guido Marussig

Cacaotree, Аrquà Petrarca, 1907 Guido Marussig

'Old Juniper', by Maynard Dixon.  A few simple strokes of color, and he gives this tree life.

'Old Juniper', by Maynard Dixon. A few simple strokes of color, and he gives this tree life.

Artist: A.J. Casson, Title: MORNING SUN, AFTER SHOWER - click for larger image

Artist: A.J. Casson, Title: MORNING SUN, AFTER SHOWER - click for larger image

Oswald achenbach Cypresses in the Park at the Villa d-Este

Oswald achenbach Cypresses in the Park at the Villa d-Este

Heward produced several landscape paintings during her lifetime. “Autumn Landscape,” c. 1941, National Gallery of Canada.

Heward produced several landscape paintings during her lifetime. “Autumn Landscape,” c. 1941, National Gallery of Canada.

Joan Hassall (1906-1988) "The Stricken Oak". Frontispiece wood engraving for  "A Portrait of a Village" 1937.

Joan Hassall (1906-1988) "The Stricken Oak". Frontispiece wood engraving for "A Portrait of a Village" 1937.

Early Utopian Ideals 'The Question of Limits' (2008) by West Central African-born, NYC-based American painter Tula Telfair (b.1961). Oil on canvas, 60 x 60 in. via the artist's site

Early Utopian Ideals 'The Question of Limits' (2008) by West Central African-born, NYC-based American painter Tula Telfair (b.1961). Oil on canvas, 60 x 60 in. via the artist's site

J. M. W. Turner, Ulysses deriding Polyphemus: Homer’s Odyssey (detail), 1829. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires.

J. M. W. Turner, Ulysses deriding Polyphemus: Homer’s Odyssey (detail), 1829. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires.

Ferdinand Keller, le tombeau de Böcklin

Ferdinand Keller, le tombeau de Böcklin

Carlson, John Fabian (1875-1945) - Brooding Silence (Smithsonian American Art Museum, Washington DC).  Oil on canvas mounted on fiberglass; 94.3 x 132.1 cm.

Carlson, John Fabian (1875-1945) - Brooding Silence (Smithsonian American Art Museum, Washington DC). Oil on canvas mounted on fiberglass; 94.3 x 132.1 cm.

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