Esplora queste idee e molte altre!

ECHELON Typeface 2012 by Samuel Carter Mensah, via Behance

ECHELON Typeface 2012 by Samuel Carter Mensah, via Behance

ECHELON Typeface 2012 by Samuel Carter Mensah, via Behance

ECHELON Typeface 2012 by Samuel Carter Mensah, via Behance

ECHELON Typeface 2012 by Samuel Carter Mensah, via Behance

ECHELON Typeface 2012 by Samuel Carter Mensah, via Behance

Picnick typeface by Nick Kelly, via Behance

Picnick typeface by Nick Kelly, via Behance

PARQA Typeface by Marco Oggian, via Behance

PARQA Typeface by Marco Oggian, via Behance

Yay Festival 2013 branding on Behance | graphic design. visual communication. typography. handlettering. branding. identity. environmental design. publication design.

Yay Festival 2013 branding on Behance | graphic design. visual communication. typography. handlettering. branding. identity. environmental design. publication design.

ColorClaim by Tobias van Schneider, via Behance

ColorClaim by Tobias van Schneider, via Behance

I am Pharmacist, dir. Mike Mills by Guy Seese, via Behance

I am Pharmacist, dir. Mike Mills by Guy Seese, via Behance

Le livre : We Are The Friction de Collectif, publié par Sing Statistics (Royaume-Uni). Design : Jez Burrows & Lizzy Stewart.  Le vin : Vi Novell 2010, produit par Celler El Masroig (Espagne). Design : Atipus.  —————  The book : We Are The Friction by Various, published by Sing Statistics (United Kingdom). Design : Jez Burrows & Lizzy Stewart.  The wine : Vi Novell 2010, produced by Celler El Masroig (Spain). Design : Atipus.

Le livre : We Are The Friction de Collectif, publié par Sing Statistics (Royaume-Uni). Design : Jez Burrows & Lizzy Stewart. Le vin : Vi Novell 2010, produit par Celler El Masroig (Espagne). Design : Atipus. ————— The book : We Are The Friction by Various, published by Sing Statistics (United Kingdom). Design : Jez Burrows & Lizzy Stewart. The wine : Vi Novell 2010, produced by Celler El Masroig (Spain). Design : Atipus.

ColorClaim by Tobias van Schneider, via Behance

ColorClaim by Tobias van Schneider, via Behance

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