It looks funny, but I usually try to put some sort of weight on top of the cottle to make sure the flashing stays put against the table and the plaster doesn't escape.  The higher the cottle the more weight I usually put on top.  I like the glass because I can still see my marks. heathermaeerickson.com

It looks funny, but I usually try to put some sort of weight on top of the cottle to make sure the flashing stays put against the table and the plaster doesn't escape. The higher the cottle the more weight I usually put on top. I like the glass because I can still see my marks. heathermaeerickson.com

Tutorial: Slab-Built Plates with Textured and Stenciled Decoration Ceramics Hand-building Glaze Glazing technique

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For potters, mold making is invaluable because it allows them to slip-cast identical multiples of their workand this newly revised, now in color edition of Andrew Martins classic is the definitive gui

For potters, mold making is invaluable because it allows them to slip-cast identical multiples of their workand this newly revised, now in color edition of Andrew Martins classic is the definitive gui

wood-fired pottery kilns | Eddie Daughton's wood-fired kiln, Somerset, UK Joe Finch design//build

wood-fired pottery kilns | Eddie Daughton's wood-fired kiln, Somerset, UK Joe Finch design//build

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