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Veronese Gown with slashed and cut sleeves

Veronese Gown with slashed and cut sleeves

FREE SHIP Medieval SCA Garb Dark Red Sideless Surcote with Faux Fur Black Trim…

FREE SHIP Medieval SCA Garb Dark Red Sideless Surcote with Faux Fur Black Trim…

Bodice, ca 1660-69: http://collections.vam.ac.uk/item/O137794/bodice-unknown/

Bodice, ca 1660-69: http://collections.vam.ac.uk/item/O137794/bodice-unknown/

biberbaer - A German costumer with an absolutely delicious gallery of German Renaissance and medieval garb, including this amazing chocolate brown and yellow Cranach gown. YUM!!

biberbaer - A German costumer with an absolutely delicious gallery of German Renaissance and medieval garb, including this amazing chocolate brown and yellow Cranach gown. YUM!!

Abito in raso, di foggia spagnola, fine XVI-inizio XVII sec.

Abito in raso, di foggia spagnola, fine XVI-inizio XVII sec.

Italian Showcase - Susan at the Realm of Venus:  A Venetian Gown in the Style of  the 1560s

Italian Showcase - Susan at the Realm of Venus: A Venetian Gown in the Style of the 1560s

Authentics Collection - Tirelli Trappetti Foundation  1917

Authentics Collection - Tirelli Trappetti Foundation 1917

VEST-BUSTINO  (architect 169) (Translated from Italian) 1745: BUSTIER VEST MADE IN SILK COLOR EMERALD. The COPY THAT WAS THE UPPER DEL'ABITO, E 'LACE IS CLOSED BY THE REAR (ORIGINAL) WHICH PREVIOUSLY (MISSING). The bodice tapers to a point in front and behind AND 'WITH A PEPLUM INDENTED CONSISTS OF POINTS COVERED IN FABRIC AND LEATHER hip height (DEER OR KID) THE INTERIOR' LINED LINEN AND REINFORCED FROM ABOUT thirty CUES FROM THAT NUMBER AND THICKNESS MAY BE OF WHALE BUT ALSO OF WOOD.

VEST-BUSTINO (architect 169) (Translated from Italian) 1745: BUSTIER VEST MADE IN SILK COLOR EMERALD. The COPY THAT WAS THE UPPER DEL'ABITO, E 'LACE IS CLOSED BY THE REAR (ORIGINAL) WHICH PREVIOUSLY (MISSING). The bodice tapers to a point in front and behind AND 'WITH A PEPLUM INDENTED CONSISTS OF POINTS COVERED IN FABRIC AND LEATHER hip height (DEER OR KID) THE INTERIOR' LINED LINEN AND REINFORCED FROM ABOUT thirty CUES FROM THAT NUMBER AND THICKNESS MAY BE OF WHALE BUT ALSO OF WOOD.

An emerald and diamond stickpin, by Cartier, circa 1920.  Designed as an arrow, the head set with fancy-cut emeralds, the tail with calibré-cut emeralds and rose-cut diamonds, signed Cartier, numbered, French assay marks, length 4.2cm

An emerald and diamond stickpin, by Cartier, circa 1920. Designed as an arrow, the head set with fancy-cut emeralds, the tail with calibré-cut emeralds and rose-cut diamonds, signed Cartier, numbered, French assay marks, length 4.2cm

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