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IDEAL PORTRAIT OF ANCILLA PRIMA COMTESSA DI SAVOIA, MOGLIE DI UMBERTO I BIANCA MANO  in late 16th century dress.

IDEAL PORTRAIT OF ANCILLA PRIMA COMTESSA DI SAVOIA, MOGLIE DI UMBERTO I BIANCA MANO in late 16th century dress.

Ensemble    Date:      late 16th century  Culture:      Spanish  Medium:      silk, linen  Dimensions:      a) 17 x 43in. (43.2 x 109.2cm) b) 35 1/4 x 69in. (89.5 x 175.3cm) c) 28 3/4 x 48in. (73 x 121.9cm)  Credit Line:      Fletcher Fund, 1925  Accession Number:      25.118a–c    This artwork is not on display

Ensemble Date: late century Culture: Spanish Medium: silk, linen Dimensions: a) 17 x x b) 35 x x c) 28 x x Credit Line: Fletcher Fund, 1925 Accession Number: This artwork is not on display

Late 1500s to late 1600s

Late to late of the renaissance dress transformation. The slashings were slightly different and as well as the stomach area were most embroidery was placed.

Formerly called 'Lady Jane Grey'  by Unknown Artist   Collection of The Lord Hastings,  on loan to the National Trust,  Seaton Delaval Hall, Northumberland

Formerly called “Lady Jane Grey” Unknown Artist. The unfortunate Jane Grey was my ancestor. Her story would convince anyone it was perilous to take on a Tudor.

Portraits of 16th century ladies by Richard Burchett 1815–1875) at Palace of Westminster; Catherine Howard Mary Tudor, Queen of France and Mary of Guise, Queen of Scotland Anne Boleyn and Jane Seymour

Jane Seymour / Portraits of century ladies by Richard Burchett at Palace of Westminster; Catherine Howard Mary Tudor, Queen of France and Mary of Guise, Queen of Scotland Anne Boleyn and Jane Seymour

Russian 16th Century Female Headress!                                                                                                                                                                                 More

Beautiful kokoshnik with pearls! - The kokoshnik is a commonly used name for a variety of traditional Russian headdresses worn by women and girls to accompany the sarafan, primarily worn in the northern regions of Russia in the to centuries.

1540-1570 Unknown artist from Bergamo - Double portrait. I like this because you rarely see affection between portrait couples in this era.

Unknown artist from Bergamo - Double portrait. I like this because you rarely see affection between portrait couples in this era.

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