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Inspired by the 2010 Geneva Motor Show poster

Inspired by the 2010 Geneva Motor Show poster

http://www.conti-online.com/generator/www/de/en/continental/automobile/themes/news/meldungen/pr_2011_03_01_genf_2011_en.html

http://www.conti-online.com/generator/www/de/en/continental/automobile/themes/news/meldungen/pr_2011_03_01_genf_2011_en.html

az project | » Ikko Tanaka

Posters by the Japanese designer Ikko Tanaka some of which I found in one of the old Graphis magazines I recently d.

Afbeeldingsresultaat voor bauhaus art

Afbeeldingsresultaat voor bauhaus art

1960s, Japan, Tokyo Motor Show poster, ICOGRADA collection, University of Brighton Design Archives

Japanese posters from the 1960s and 70s

ritengo che questo poster sia un " good typography" perchè le parole creano un quadro che incanta il pubblico . Il carattere si adatta all'atmosfera del quadro . Anche i colori sono di grande contrasto con il nero. La scelta del font e della posizione è efficace prende lo scopo di questo poster prende significato. Tutte le caratteristiche dei principi tipografici in questo poster si fondono insieme in modo ottimale è adeguato per la promozione di questo poster.

By Jen Sublasky. I really like the design in this flyer, though hard to read. As far as proximity is concerned, everything is right next to each other. There is no repetition to be seen. The contrast that makes it appear as a glass of beer.

When Huber arrived in Milan in December 1940, he could barely stutter in Italian. But upon examining Huber’s business card, designer Antonio Boggeri discovered that while the elegant card appeared to be printed it was actually meticulously hand-lettered and precisely spaced. Boggeri immediately hired the young upstart.

Dynamic, Rational Style Characterizes Max Huber’s Designs

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