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Maillol was trained as a painter, but early in his career he became interested in tapestry weaving and ceramics, as well as the sculpture that eventually became his true métier. This figure was originally intended for the top of one of Maillol's ceramic water fountains

Maillol was trained as a painter, but early in his career he became interested in tapestry weaving and ceramics, as well as the sculpture that eventually became his true métier. This figure was originally intended for the top of one of Maillol's ceramic water fountains

Wooden figure of a monkey eating fruit. New Kingdom. 18th dynasty. 1550–1295 B.C. | Museum of Fine Arts, Boston

Wooden figure of a monkey eating fruit. New Kingdom. 18th dynasty. 1550–1295 B.C. | Museum of Fine Arts, Boston

Maillol was trained as a painter, but early in his career he became interested in tapestry weaving and ceramics, as well as the sculpture that eventually became his true métier. This figure was originally intended for the top of one of Maillol's ceramic water fountains

Maillol was trained as a painter, but early in his career he became interested in tapestry weaving and ceramics, as well as the sculpture that eventually became his true métier. This figure was originally intended for the top of one of Maillol's ceramic water fountains

الفنان الفلسطيني النحات : زكي سلام

الفنان الفلسطيني النحات : زكي سلام

Antoine Jossé 1970 ~ Surrealist sculptor and painter | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |

Antoine Jossé 1970 ~ Surrealist sculptor and painter

Antoine Jossé 1970 ~ Surrealist sculptor and painter | Tutt'Art@ | Pittura * Scultura * Poesia * Musica |

Béla Vörös, Flute-player

Béla Vörös, Flute-player

Luca della Robbia, Madonna del roseto, Museo del Bargello, Firenze~ Arcaizzante, nella sua dolce compostezza, anche questa tarda Madonna di Luca: ma il «classicismo medievale» (R. Longhi) si incarna in una viva adesione alla realtà di atti, forme e sentimenti, e non in riprese sottili di sigle linguistiche

Luca della Robbia, Madonna del roseto, Museo del Bargello, Firenze~ Arcaizzante, nella sua dolce compostezza, anche questa tarda Madonna di Luca: ma il «classicismo medievale» (R. Longhi) si incarna in una viva adesione alla realtà di atti, forme e sentimenti, e non in riprese sottili di sigle linguistiche

Прометей.( 1956) Осип Цадкин. Париж. Площадь Сен-Жермен-де-Пре.

Прометей.( 1956) Осип Цадкин. Париж. Площадь Сен-Жермен-де-Пре.

Antoine Jossé 1970 | French surrealist sculptor and painter

Antoine Jossé 1970 ~ Surrealist sculptor and painter

Antoine Jossé 1970 | French surrealist sculptor and painter

Antoine Louis Barye

Antoine Louis Barye

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