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Two toned sixteenth century agate cameo carving of two sea monsters, the type normally seen in paintings of the age accompanying Poseidon, god of the sea. The cameo is probably Italian ca 1580. The high carat gold setting is mid last century

Two-toned sixteenth century agate cameo carving of two sea monsters, the type normally seen in paintings of the age accompanying Poseidon, god of the sea. The cameo is probably Italian, circa The high carat gold setting is mid last century.

Cameo of a Dancing Satyr, 1st century BC (agate and onyx)

Cameo of a Dancing Satyr, century BC (agate and onyx)

Adolphe david.-The Fall of Phaeton, c.1876, Onyx.

Adolphe David - French - Apotheosis of Napoleon I – a large sardonyx cameo x 22 cm)

A LATE HELLENISTIC PARCEL-GILT SILVER REPOUSSÉ BUST OF A MALE DEITY 2ND-1ST CENTURY B.C.

A LATE HELLENISTIC PARCEL-GILT SILVER REPOUSSÉ BUST OF A MALE DEITY 2ND-1ST CENTURY B.C.

A sardonyx cameo of a lady, Roman, 1st-2nd century AD Oval, the cameo fragment depicting a Roman lady of high rank, possibly royal, in profile facing right, repaired with gold and in a later setting,

A sardonyx cameo of a Roman lady circa century A., the “piece de resistance” of the sale, according to Bonhams.

14K-GOLD-CAMEO-AND-ONYX-AND-DIAMOND-PENDANT

14k gold cameo and onyx and diamond pendant

Alexander the Great Hunting a Wild Boar , 1st century Ancient Rome | da renzodionigi

Alexander the Great Hunting a Wild Boar, Ancient Rome, century. -The State Hermitage Museum-

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