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LeCorbusier's paintings

LeCorbusier's paintings

Hannah Höch, Made for a party, 1936, collage, 36 x 19,8 cm    Institute for Foreign Cultural Relations, Stuttgart. © Hannah Hoch/VG Bild-Kunst, Bonn.

Hannah Höch, Made for a party, 1936, collage, 36 x 19,8 cm Institute for Foreign Cultural Relations, Stuttgart. © Hannah Hoch/VG Bild-Kunst, Bonn.

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John Heartfield     Dada Picture     c. 1923  Quite reminds me of the art style used by the band Franz Ferdinand in their video "Take Me Out"

John Heartfield Dada Picture c. 1923 Quite reminds me of the art style used by the band Franz Ferdinand in their video "Take Me Out"

1936_Meret Oppenheim_Dejeunerenfourrure_photoManRay_NewYork_

1936_Meret Oppenheim_Dejeunerenfourrure_photoManRay_NewYork_

---Walter Benjamin recognized the importance of Dada when he wrote in 'The Work of Art in the Age of Mechanical Reproduction' that when authenticity ceases to be an important part of making art, "the total function of art is reversed. Instead of being based on ritual it begins to be based on another practice, politics." ---Image:http://www.johnvalentino.com/Teaching/Art190/Projects/190Proj2/Dada.html

---Walter Benjamin recognized the importance of Dada when he wrote in 'The Work of Art in the Age of Mechanical Reproduction' that when authenticity ceases to be an important part of making art, "the total function of art is reversed. Instead of being based on ritual it begins to be based on another practice, politics." ---Image:http://www.johnvalentino.com/Teaching/Art190/Projects/190Proj2/Dada.html

Curiosi accostamenti unsettling juxtapositions Jorge Chamorro

Curiosi accostamenti unsettling juxtapositions Jorge Chamorro

Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.

Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.

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