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"Which beast in particular, Comrade Pillai didn't say. Searching for the Man who lives in him was perhaps what he really meant, because certainly no beast has essayed the boundless, infinitely inventive art of human hatred. No beast can match its range and power." (225) AN

"Which beast in particular, Comrade Pillai didn't say. Searching for the Man who lives in him was perhaps what he really meant, because certainly no beast has essayed the boundless, infinitely inventive art of human hatred. No beast can match its range and power." (225) AN

Adolfo felix

Adolfo felix

Portraits: Amazon.it: Martin Schoeller: Libri in altre lingue

Portraits: Amazon.it: Martin Schoeller: Libri in altre lingue

Follow Us on YoUtUbE  https://www.youtube.com/channel/UCbof7lu3uHgqs0DE9FWWWSQ

Follow Us on YoUtUbE https://www.youtube.com/channel/UCbof7lu3uHgqs0DE9FWWWSQ

Melinda Gibson's series 'The Photograph as Contemporary Art' adheres to this theory, quite literally. She 'sticks things together' – in this case, sliced-up images culled directly from the pages of Charlotte Cotton's seminal book, The Photograph as Contemporary Art, which has graced the reading lists of nearly every academic institution offering a degree in photography since its publication in 2004.

Melinda Gibson's series 'The Photograph as Contemporary Art' adheres to this theory, quite literally. She 'sticks things together' – in this case, sliced-up images culled directly from the pages of Charlotte Cotton's seminal book, The Photograph as Contemporary Art, which has graced the reading lists of nearly every academic institution offering a degree in photography since its publication in 2004.

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Futuristic Collages

dry-cleaning-web_500

Paul Butler’s What’s Within series

Paul Butler’s What’s Within series

I like how this piece is a different shape. Also, it is cool how the framing is the sides of the bridge and how it's created to make your eyes move and end on the feet.

I like how this piece is a different shape. Also, it is cool how the framing is the sides of the bridge and how it's created to make your eyes move and end on the feet.

Siamo fatti della Stessa sostanza delle stelle ...

Siamo fatti della Stessa sostanza delle stelle ...

Positive and Negative space Illustrations Double take Double exposure

Positive and Negative space Illustrations Double take Double exposure

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