Esplora queste idee e molte altre!

Muhammad Ali Khan (1717–1795), Nawab of Arcot, 1772-1776, by Tilly Kettle.

Muhammad Ali Khan (1717–1795), Nawab of Arcot, 1772-1776, by Tilly Kettle.

Portrait of Yang Hong (1381–1451) | http://www.asia.si.edu/collections/zoomObject.cfm?ObjectId=24031

Portrait of Yang Hong (1381–1451) | http://www.asia.si.edu/collections/zoomObject.cfm?ObjectId=24031

Maharaja bhupal Singh of Udaipur.. 32 nd Maharana of mewad .. son of Maharana Fateh Singh ji.. he was born in 1884 and at the age of 16 he was paralysed to waist down.. he was ascended to throne 1930 to 1955.. In portrait possibly Maharana was in Chandra mahal ( lake palace ) and sajjangarh are seen out the window which are famous as monsoon palace..

Maharaja bhupal Singh of Udaipur.. 32 nd Maharana of mewad .. son of Maharana Fateh Singh ji.. he was born in 1884 and at the age of 16 he was paralysed to waist down.. he was ascended to throne 1930 to 1955.. In portrait possibly Maharana was in Chandra mahal ( lake palace ) and sajjangarh are seen out the window which are famous as monsoon palace..

Raja Ravi Varma http://inspiringmenow.tumblr.com/post/35800658241/sisterwolf-raja-ravi-varma

Raja Ravi Varma http://inspiringmenow.tumblr.com/post/35800658241/sisterwolf-raja-ravi-varma

Chinese Art | Portrait of a Qing Courtier

Chinese Art | Portrait of a Qing Courtier

Meeting of Sufi Saints. Mughal painting, circa 1645 AD. National Museum

Meeting of Sufi Saints. Mughal painting, circa 1645 AD. National Museum

Chinese, Qing Dynasty  Portrait of a Chinese Lady (Ancestor Painting),  19th Century  Watercolor on Silk34" x 17"  Kresge Art Museum, Gift of Dr. Shao-Chang Lee

Chinese, Qing Dynasty Portrait of a Chinese Lady (Ancestor Painting), 19th Century Watercolor on Silk34" x 17" Kresge Art Museum, Gift of Dr. Shao-Chang Lee

royal (china) yellow - note turquoise accent surround

royal (china) yellow - note turquoise accent surround

James Broun-Ramsay, 1st Marquess of Dalhousie, The Earl of Dalhousie. To his critics, Lord Dalhousie stands out as the destroyer of both the East India Company's financial and military position through reckless policies. His critics also hold that he laid the foundations of the Indian Rebellion of 1857 and led the final transformation of profitable commercial operations in India into a money-losing colonial administration.

James Broun-Ramsay, 1st Marquess of Dalhousie, The Earl of Dalhousie. To his critics, Lord Dalhousie stands out as the destroyer of both the East India Company's financial and military position through reckless policies. His critics also hold that he laid the foundations of the Indian Rebellion of 1857 and led the final transformation of profitable commercial operations in India into a money-losing colonial administration.

于闐國王供養像 莫高窟第98窟 東壁 五代 這幅畫作是于闐(粵音︰田)國王李聖天(? – 966 年)的畫像,原畫像高2.9米,是敦煌壁畫中形體最高大的供養人像。于闐是古西域大國,位於今新疆維吾爾自治區和田縣地區。 據考證,李聖天即于闐國獅子王尉遲沙縛婆,其先祖曾有功於唐室,賜姓李。據窟內的供養人題記所載,此窟乃沙州歸義軍節度使曹議金於後唐同光年間(923–925年)興建,畫像前方有墨書榜題:「大朝大寶于闐國大聖大明天子  即是窟主」。曹議金著重維持與其周邊少數民族的關係,將其女嫁與于闐國王為王后,此榜題說明曹氏將其姻親于闐國王尊奉為「窟主」之舉。 畫中的于闐國王李聖天頭戴冕旒(禮冠),身穿袞袍及腳穿高頭履,這都是中原的服飾。

于闐國王供養像 莫高窟第98窟 東壁 五代 這幅畫作是于闐(粵音︰田)國王李聖天(? – 966 年)的畫像,原畫像高2.9米,是敦煌壁畫中形體最高大的供養人像。于闐是古西域大國,位於今新疆維吾爾自治區和田縣地區。 據考證,李聖天即于闐國獅子王尉遲沙縛婆,其先祖曾有功於唐室,賜姓李。據窟內的供養人題記所載,此窟乃沙州歸義軍節度使曹議金於後唐同光年間(923–925年)興建,畫像前方有墨書榜題:「大朝大寶于闐國大聖大明天子 即是窟主」。曹議金著重維持與其周邊少數民族的關係,將其女嫁與于闐國王為王后,此榜題說明曹氏將其姻親于闐國王尊奉為「窟主」之舉。 畫中的于闐國王李聖天頭戴冕旒(禮冠),身穿袞袍及腳穿高頭履,這都是中原的服飾。

Pinterest
Cerca