Pinterest
search

Explore Toscana, Siena, and more!

Designed by Pieter Coecke van Aelst (Netherlandish, 1502–1550). Seven Deadly Sins: Sloth tapestry (detail), designed ca. 1532 - 1533, woven ca. 1548 - 1549. Woven under the direction of Willem de Pannemaker, Brussels. Kunsthistorisches Museum Wien, Kunstkammer. | This work is featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #tapestrytuesday #granddesign:

Seven Deadly Sins: Sloth tapestry (detail), Designed by Pieter Coecke van Aelst (Netherlandish, designed ca. 1532 - woven ca. 1548 - Woven under the direction of Willem de Pannemaker, Brussels.

Geburt Mariens;Begegnung an der goldenen Pforte 1493 (Ausschnitt)

Begegnung an der goldenen Pforte 1493 Dieses Bild: German Medieval Pouch. Green High neckline layer, or houpeland?) and bottom sleeve open @ wrist & pushed up, belted hike up below waist of bodice, no chemise / blouse is seen

del Cossa, Francesco Fresken im Palazzo Schifanoia April, Detail 1469–1470 fresko

del Cossa, Francesco Fresken im Palazzo Schifanoia April, Detail fresko

Jan de Beer: Note boarded door in right background. Boarded bedside table Trelliswork in window

Jan de Beer: Note boarded door in right background. Boarded bedside table Trelliswork in window. Note the fire tongs;

DOMENICO GHIRLANDAIO (1449 - 1494) |  Birth of Mary, detail - 1486/90. Fresco | Cappella Tornabuoni, Santa Maria Novella, Florence.

Ghirlandaio Birth of Mary detail 2 Left Side Staircase, , Cappella Tornabuoni, Santa Maria Novella, Florence. Read more about the symbolism and interpretation of Birth of Mary detail 2 Left Side Staircase by Ghirlandaio.

Jacopo Robusti (Tintoretto)  Portrait of the Pellegrina Family  Private Collection particolare

Starlight Masquerade Glamorous Handmade Costumes Tintoretto Portrait of the Pellegrina Family

Domenico Ghirlandaio (Italian artist, 1449–1494) Detail of Resurrection of the Boy Ghirlandaio Sassetti Chapel

Domenico Ghirlandaio Title Resurrection of the Boy (detail) Date between 1483 and 1485 Santa Trinità, Florence. Women wear gowns with slashing on the sleeves with the camacia visible through the slits. Men seen wearing soft skull caps and bowl cut hair

DOMENICO GHIRLANDAIO (1449 - 1494) |  Zacharias Writes Down the Name of his Son, detail - 1486/90. Fresco | Cappella Tornabuoni, Santa Maria Novella, Florence.

Domenico Ghirlandaio - Zacharias Writes Down the Name of his Son (detail) Fresco, width 450 cm Cappella Tornabuoni, Santa Maria Novella, Florence Frescoes on the right wall: Stories of St John the Baptist

DOMENICO, il GHIRLANDAIO - Presentazione al Tempio della Vergine, dettaglio - affresco - 1486-90 - Cappella Tornabuoni - Basilica di Santa Maria Novella, Firenze:

Ghirlandaio -Presentation of the Virgin at the Temple (Detail): Cappella Tornabuoni, Santa Maria Novella, Florence

Miniatura de una edición Le Roman de la Rose, la segunda mitad del siglo XV, escrito por Guillaume de Lorris y continuado por Jean de Meung en el siglo XIII.

¿Cuándo comenzó la diferenciación sexual del traje?

Antonio Vivarini - Il matrimonio di santa Monica - 1441 ca. – Venezia, Gallerie dell’Accademia

St Apollonia’s teeth are pulled out, by Giovanni d’Alemagna (formerly attributed to Antonio Vivarini).

Description:	Detail of a miniature of the allegorical figure of Feloniye (Crime), in the first column of the folio.  Origin:	Netherlands, S. (Bruges)

Detail of a miniature of the allegorical figure of Envie (Envy).Guillaume de Lorris and Jean de Meun Title Roman de la Rose Origin Netherlands, S. (Bruges) Date c.

Mores Italiae, 1575.  I love her shoulder ribbons and basket holders!  Looks like she is wearing the white over skirt that acts as a protective apron for the dress, plus a second rectangular apron on top of that.  Similar to http://www.pinterest.com/pin/74239093830073876/

I have noticed several images, mostly late century Italian, showing women wearing some sort of apron-like skirt that goes all the way around their normal dress skirt.

Pinterest
Search