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Transfer - Geoffrey Graham - Picasa Web Albums

Dionysos, Ariadne, satyrs and maenads. Side A of an Attic red-figure calyx-krater, c. From Thebes.

Throughout time, distance, and history strong women have been represented in different culture's mythologies - celebrate them all with these spirited designs! Designs download as PDFs; use pattern transfer paper to trace designs for hand-stitching.

Throughout time, distance, and history strong women have been represented in different culture's mythologies - celebrate them all with these spirited designs! Designs download as PDFs; use pattern transfer paper to trace designs for hand-stitching.

De oud Egyptische samenleving -  grieken en Romeinen (Amfoor door exekias)

Exekias, Black figured vase with Ajax and Achilles playing draughts, and detail, 540 bc.

Vase Painting, temporary stage. The Choregos vase, J. Paul Getty Museum. The man at the door labeled Aigisthos represents tragedy. The man standing on a basket labeled Pyrrias represents comedy. The other two figures labeled Choregos represent theatrical backers.

Vase Painting, temporary stage. The Choregos vase, J. Paul Getty Museum. The man at the door labeled Aigisthos represents tragedy. The man standing on a basket labeled Pyrrias represents comedy. The other two figures labeled Choregos represent theatrical backers.

Two Muses on Mount Helicon II  On the right a muse, perhaps Erato, side sits on a rocky outcropping labeled Helicon, “H Λ Ι Κ Ο Ν”, the Muse’s Mount, and plays a kithara. She also is seen in three-quarter view. She wears a chiton rendered in yellow wash, a red himation is wrapped around her legs, and an orange scarf binds her hair. A bird sits at her feet.   Attic white grounded red figured Lekythos from Attica Classical period, ca. 445 BC Attibuted to “Achilles Painter” Munich…

Two Muses on Mount Helicon II On the right a muse, perhaps Erato, side sits on a rocky outcropping labeled Helicon, “H Λ Ι Κ Ο Ν”, the Muse’s Mount, and plays a kithara. She also is seen in three-quarter view. She wears a chiton rendered in yellow wash, a red himation is wrapped around her legs, and an orange scarf binds her hair. A bird sits at her feet. Attic white grounded red figured Lekythos from Attica Classical period, ca. 445 BC Attibuted to “Achilles Painter” Munich…

Kantharos a figure nere (dalla Beozia) ca. 560 a.C. Museo del Louvre, Parigi. Kantharos a figure nere (dalla Beozia) ca. 560 a.C. Museo del Louvre, Parigi.

Kantharos a figure nere (dalla Beozia) ca. 560 a.C. Museo del Louvre, Parigi. Kantharos a figure nere (dalla Beozia) ca. 560 a.C. Museo del Louvre, Parigi.

Cratère en cloche campanien à figures rouges | Musée du Louvre | Paris   Peintre d'Ixion  Cratère en cloche à figures rouges  Vers 330 avant J.-C.  Campanie (Capoue ?)  H. : 44,50 cm. ; D. : 45,80 cm. ; L. : 43,30 cm.  Acquisition 1985

Campanian red-figure bell-krater c. 330 BCE The Massacre of the Suitors (The Odyssey)

TWO CAMPANIAN RED-FIGURED BELL-KRATERS CLOSE TO THE CAIVANO PAINTER AND THE IXION GROUP, CIRCA 340-320 B.C. (Pot A) with a spotted panther on one side, a seated nude youth on the other, dotted squares encircling below, laurel below the rim; (Pot B) with a winged lion griffin on one side, a bird on the other, wave below the rim; both with palmettes below the handles, details in added white Taller: 7 in. (17.8 cm.) high (Pot B)

TWO CAMPANIAN RED-FIGURED BELL-KRATERS CLOSE TO THE CAIVANO PAINTER AND THE IXION GROUP, CIRCA 340-320 B.C. (Pot A) with a spotted panther on one side, a seated nude youth on the other, dotted squares encircling below, laurel below the rim; (Pot B) with a winged lion griffin on one side, a bird on the other, wave below the rim; both with palmettes below the handles, details in added white Taller: 7 in. (17.8 cm.) high (Pot B)

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