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Jennifer Knauss

Jennifer Knauss

Knaus' work inspires me because of the many different objects and natural forms that unfurl from her figures heads. Her work makes you question what is the meaningful part of the work? the figure itself or its importance as a stand for what lies on top

Knaus' work inspires me because of the many different objects and natural forms that unfurl from her figures heads. Her work makes you question what is the meaningful part of the work? the figure itself or its importance as a stand for what lies on top

Jennifer Knauss

Jennifer Knauss

Oil on Panel. Original Painting Jennifer Knaus

Oil on Panel. Original Painting Jennifer Knaus

“I know a 'face' where the wild thyme blows, Where oxlips and the nodding violet grows, Quite over-canopied with luscious woodbine, With sweet musk-roses and with eglantine.” William Shakespeare, A Midsummer Night's Dream

“I know a 'face' where the wild thyme blows, Where oxlips and the nodding violet grows, Quite over-canopied with luscious woodbine, With sweet musk-roses and with eglantine.” William Shakespeare, A Midsummer Night's Dream

JENNIFER KNAUS is an artist whose imagery comes from an interest in combining female iconography with still life painting / Seen here: "Bean Head", Oil on Panel, 2010

JENNIFER KNAUS is an artist whose imagery comes from an interest in combining female iconography with still life painting / Seen here: "Bean Head", Oil on Panel, 2010

How to Paint Using a Reference Photo as a Starting Point for Abstracts: The Final Painting, with the Power of the Dark

How to Paint Abstracts Using a Reference Photo

How to Paint Using a Reference Photo as a Starting Point for Abstracts: The Final Painting, with the Power of the Dark

Gemälde zum 18. Jahrhundert

Gemälde zum 18. Jahrhundert

Javier Piñon, Medusas

Javier Piñon, Medusas

Mural-Art-Zaachila-4.jpg (1024×576)

Mural-Art-Zaachila-4.jpg (1024×576)

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