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1900

1900

Albanian silk coat, 1900-1909 - exquisite embellishment - metallic embroidery depicts motifs and patterning that illustrate the cross-cultural influences in the region (Metropolitan Museum of Art, NY).

* Albanian Coat silk, cotton, The lavish use of materials and embellishment on this Albanian coat is both masterful and informative. The skillful embroidery depicts motifs and patterning that illustrate the cross-cultural influences in the region

VERY interesting and informative link to Edwardian Era clothing "The Last Age of Elegance"

Not really a suffragette picture but this was the style of the time: Ladies's Dress, Stole and Hat,

Torre Bellesguard, obra d´Antoni Gaudí, Barcelona. España

What a Beautiful, leaded glass window in the Bellesguard Manor House! Constructed between 1900 - 1909 by Antoni Gaudi in Barcelona, Spain. One of the few Gaudi things I like.

Coat  Date: 1900–1909 Culture: Albanian Medium: silk, cotton, metal Dimensions: Length at CB: 46 1/2 in. (118.1 cm) Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art

Coat Date: Culture: Albanian Medium: silk, cotton, metal Dimensions: Length at CB: 46 in. cm) Credit Line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art

edwardian-time-machine:  Source  I don’t normally reblog these timeline things, but this one looks like it’s made of real fashion plates, possibly, instead of just silhouettes, and the silhouettes themselves here do look good.

This is kind of important to note Edwardian Dress Timeline. The silhouette moved gradually along a decreasing s-curve from 1901 to the Empire line by

Picture 2 of 2. Dress, 1900-1909. Warp print silk gown with jacquard floral pattern. Ecru and white with pink, green, and yellow flowers. V-neck with lace inset. High collar, shawl-effect bodice. Cummerbund with rosette at center. Skirt has lower band detail and a train. A full silk underskirt is attached. Hook and eye and snap closing. Tag says "Landum Minneapolis.” Goldstein Museum of Design.

Warp print silk gown with jacquard floral pattern. Ecru and white with pink, green, and yellow flowers. Skirt has lower band detail and a train. A full silk underskirt is attached. Hook and eye and snap closing.

Dress, F.Casas Puig, Terrassa, Spain, 1900-1909. Black silk skirt with velvet ribbons embroidered with silk chenille yarn. White lace collar covering neckline. Bodice is black silk covered w/net embroidered w/chenille yarn; it forms 2 bands across chest back. Short train. Bottom decorated w/rhinestones, embroidery, velvet ribbons. High waist attaches to bodice with hooks, hidden by chenille embroidery, making it look like 1 piece. Textile Museum Documentation Center, Terassa (IMATEX)

Casas Puig, Terrassa, Spain, Black silk skirt with velvet ribbons embroidered with silk chenille yarn.

Torre Bellesguard  1900-1909  Architects: Antoni Gaudí i Cornet / Domènec Sugrañes i Gras

Torre Bellesguard Architects: Antoni Gaudí i Cornet / Domènec Sugrañes i Gras

Finca Ermenegild Miralles    1900-1909    Architect: Antoni Plàcid Guillem Gaudí i Cornet

Finca Ermenegild Miralles 1900-1909 Architect: Antoni Plàcid Guillem Gaudí i Cornet

В наш магазин поступила новая партия старинных платьев. Там куча моего любимого Ворта!!! Предлагаю продолжить прерванную года два назад традицию выбрать платье…

Двадцатый век начинается, изящество и роскошь

Black satin and lace gown with sequin and bead trim. Made by dressmaker Mary Molloy, Minneapolis, Minnesota, circa

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