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la Battaglia di Campaldino di Paolo Uccello.jpg (2048×1144)

Ucello – Niccolò Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano (dating uncertain, tempera on wood, 182 × 320 cm, Galleria degli Uffizi, Florence.

Palazzo Schifanoia  : Francesco del Cossa - Allegory of April (detail)  Palais Schifanoia

Palazzo Schifanoia : Francesco del Cossa - Allegory of April (detail)

Perspective: In drawing or painting, a way of portraying three dimensions on a flat, two-dimensional surface by suggesting depth or distance.

Perspective: In drawing or painting, a way of portraying three dimensions on a flat, two-dimensional surface by suggesting depth or distance.

Giorgione, Prova di Mosè, 1502-1505 circa, olio su tavola, 89 × 72 cm, Firenze, Galleria degli Uffizi

GIORGIONE Moses Undergoing Trial by Fire c. 1505 Oil on wood, 89 x 72 cm Galleria degli Uffizi, Florence

Piero di Cosimo, "The Visitation with Saint Nicholas and Saint Anthony Abbot," c. 1489/1490, oil on panel, National Gallery of Art, Washington, Samuel H. Kress Collection

Piero di Cosimo, "The Visitation with Saints Nicholas and Anthony Abbot," c. National Gallery of Art, Washington, Samuel H Kress Collection

Kirchen- und Dogmengeschichte

Uccello, Miracolo dell ostia profanata, Palazzo ducale Urbino, sec XVI.

Illumination depicting Paul's conversion, from Livre d'Heures d'Étienne Chevalier (c. 1450–1460), a book of hours by Jean Fouquet now in the Château de Chantilly

Conversion of St Paul, illumination of the Book of Hours of Etienne Chevalier, Jean Fouquet, Musée Condé in Chantilly ca 1455

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