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A black lacquer four-case inro By Kajikawa Bunryusai, 19th century

A black lacquer four-case inro By Kajikawa Bunryusai, century

Frollicking Horses (Inrō/Ojime/Netsuke Ensemble) | LACMA Collections

Kajikawa School (Japan, died N/A) Inro, Ojime, Netsuke, century…

An inlaid black lacquer five-case inro By Hara Yoyusai, 19th century Of upright form, the roiro ground embellished with gold and silver mura-nashiji, lacquered and inlaid with two parrots on perches, in gold, red and green takamakie, one bird of inlaid raden and the interior of nashiji, signed Yoyusai.

An inlaid black lacquer five-case inro By Hara Yoyusai, century

Inro silhouette design, Japan Inro Koma Yasumasa Japan Late 18th - 19th century Wood, black and gold togiadashie lacquer Museum no. W.159-1922 vam.ac.uk Inro showing performing figures seen through a shoji (paper sliding door). Detail Artemis: I love...

artemisdreaming: “ Inro silhouette design, Japan Inro Koma Yasumasa Japan Late - century Wood, black and gold togiadashie lacquer Museum no.uk Inro showing performing figures seen through a shoji (paper sliding.

Yukata Kimono, Kimono Japan, Japanese Clothing, Japanese Robe, Kimono Fashion, Harajuku Fashion, Tokyo Fashion, Kimono Style, Kimono Pattern

Case (Inrô) with Design of Two Hawks on Tasseled Perches  Period: Edo period (1615–1868) Date: 19th century Culture: Japan Medium: Lacquer, roiro, mura nashiji, gold and coloured hiramakie, takamakie; Interior: nashiji and fundame

Case (Inrô) with Design of Two Hawks on Tasseled Perches Period: Edo period Date: century Culture: Japan Medium: Lacquer, roiro, mura nashiji, gold and coloured hiramakie, takamakie; Interior: nashiji and fundame

Inrō depicting the bodhisattva Fugen Bosatsu, and attached to a netsuke and ojime. Ashmolean Museum.

Inrō depicting the bodhisattva Fugen Bosatsu, and attached to a netsuke and…

Japanese Art, Tea Caddy, Kimono, Antiquities, Polymer Clay, Boxing, Oriental, Asia, Handicraft

Inrō with Design of Blossoming Plum Tree, by Hara Yōyūsai (Japanese, 1772–1845), Artist: After a design by Sakai Hōitsu (Japanese, 1761–1828), Edo period (1615–1868) 19th century, Sprinkled gold lacquer with gold, silver, and red makie, takamakie, and coral inlay Ojime: bead; tortoiseshell Netsuke: box with decoration of violets; gold makie lacquer with gold and silver makie, H 9.3; W.5.7; D.2.2 cm ©The Metropolitan Museum of Art #Inro, #Urushi, #Laque, #Japon, #Lacquer, #Japan

Inrō with Design of Blossoming Plum Tree Hara Yōyūsai (Japanese, side

Inrō; Ojime; Netsuke Kajikawa School (Japan, active 17th to 19th centuries) Japan, early 19th century Costumes; Accessories [inrō] lacquer; [ojime] coral; [netsuke] a) inrō: 3 9/16 × 2 3/16 × 1 1/8 in.

Inrō, Ojime, Netsuke Kajikawa School (Japan, active to centuries) Japan, early century [inrō] lacquer; [netsuke] ivory [inro] 3 x 1 in.

棗・海桐花の図蒔絵は、波をあらわす美しい線が棗全体を彩る、寄せてはかえす波頭を描いた棗。

棗・海桐花の図蒔絵は、波をあらわす美しい線が棗全体を彩る、寄せてはかえす波頭を描いた棗。

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