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tempera su tavola del 1490-1500 ca. Qui il santo è ritratto insieme ai Santi Girolamo e Giacomo della Marca e due donatori.

tempera su tavola del 1490-1500 ca. Qui il santo è ritratto insieme ai Santi Girolamo e Giacomo della Marca e due donatori.

Andrea Mantegna, Decoration of the Camera degli Sposi (Camera Picta), 1465 - 1474 (fresco and dry tempera) Palazzo Ducale, Mantua

Andrea Mantegna, Decoration of the Camera degli Sposi (Camera Picta), 1465 - 1474 (fresco and dry tempera) Palazzo Ducale, Mantua

Domenico Veneziano (ca.1410-1461) A Miracle of Saint Zenobius,Tempera on wood,The Fitzwilliam Museum,Cambridge.

Domenico Veneziano (ca.1410-1461) A Miracle of Saint Zenobius,Tempera on wood,The Fitzwilliam Museum,Cambridge.

Birth Tray with the Triumph of Chastity (detail). Workshop of Apollonio di Giovanni (Italian, 1415/17–1465). Italian, Florence, ca. 1450–60. Tempera and gold leaf on panel. North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation

Birth Tray with the Triumph of Chastity (detail). Workshop of Apollonio di Giovanni (Italian, 1415/17–1465). Italian, Florence, ca. 1450–60. Tempera and gold leaf on panel. North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation

Anonyme.The Altarpiece from the Parliament of Toulouse © Photo Daniel Martin 1460-1470 retable Peinture Noyer Tempera Dimensions (cm):Largeur 145 Hauteur:178 The Parliament of Toulouse altarpiece was produced to commemorate the links between Toulouse and the central power in Paris at the end of the 15th century.The king and the dauphin (heir to the throne) can be seen in prayer in front of the crucifiction (Charles VI and Charles VII or Charles VII and Louis XI).

Anonyme.The Altarpiece from the Parliament of Toulouse © Photo Daniel Martin 1460-1470 retable Peinture Noyer Tempera Dimensions (cm):Largeur 145 Hauteur:178 The Parliament of Toulouse altarpiece was produced to commemorate the links between Toulouse and the central power in Paris at the end of the 15th century.The king and the dauphin (heir to the throne) can be seen in prayer in front of the crucifiction (Charles VI and Charles VII or Charles VII and Louis XI).

Attributed to Pisanello (Italian, by 1395-about 1455) (1395-1455)  illuminator (Italian) The Conversion of Saint Paul,Detached leaf,about 1440 - 1450 "Tempera colors, gold leaf, gold paint, silver leaf, and ink on parchment",Height: 141 mm (5.55 in). Width: 89 mm (3.5 in). Getty Center

Attributed to Pisanello (Italian, by 1395-about 1455) (1395-1455) illuminator (Italian) The Conversion of Saint Paul,Detached leaf,about 1440 - 1450 "Tempera colors, gold leaf, gold paint, silver leaf, and ink on parchment",Height: 141 mm (5.55 in). Width: 89 mm (3.5 in). Getty Center

Gentile Bellini,Miracle of the Cross at the Bridge of S.Lorenzo 1500 Tempera on canvas 323 cm×430 cm,Galleria dell'Accademia, Venice.

Gentile Bellini,Miracle of the Cross at the Bridge of S.Lorenzo 1500 Tempera on canvas 323 cm×430 cm,Galleria dell'Accademia, Venice.

Detail of a portrait of Maria Maddalena Baroncelli, c.1470

Detail of a portrait of Maria Maddalena Baroncelli, c.1470

Domenico Veneziano,Martyrdom of St Lucy (predella 5),c.1445,Tempera on wood,25x29 cm Staatliche Museen,Berlin.

Domenico Veneziano,Martyrdom of St Lucy (predella 5),c.1445,Tempera on wood,25x29 cm Staatliche Museen,Berlin.

Trinity, Andrei Rublev early 15th c. , tempera, Tretyakov Gallery, Moscow

The Solemnity of the Most Holy Trinity

Trinity, Andrei Rublev early 15th c. , tempera, Tretyakov Gallery, Moscow

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