Lucio Fontana

Lucio Fontana

Leon Ferrari

Leon Ferrari

Art Democracy / EXPLORING THE UNKNOWN, THE SURREALISM OF ROBERTO AIZENBERG / “Give me a place to stand and I will show you the universe,” Roberto Aizenberg liked to say, smoothly appropriating the legendarily defiant words of Archimedes as his own. The visionary grandeur of Aizenberg’s metaphysical cities, their endless towers rising infinitely...  / http://www.artdemocracy.net/2010/08/22/exploring-the-unknown-the-surrealism-of-roberto-aizenberg/

Art Democracy / EXPLORING THE UNKNOWN, THE SURREALISM OF ROBERTO AIZENBERG / “Give me a place to stand and I will show you the universe,” Roberto Aizenberg liked to say, smoothly appropriating the legendarily defiant words of Archimedes as his own. The visionary grandeur of Aizenberg’s metaphysical cities, their endless towers rising infinitely... / http://www.artdemocracy.net/2010/08/22/exploring-the-unknown-the-surrealism-of-roberto-aizenberg/

Art Democracy JORGE DE LA VEGA, ABOUT MONSTERS AND HAPPINESS / Within his short life of forty-one years, Jorge de la Vega gained recognition as one of South America’s most innovative and acclaimed artists.    “If you don’t do what you must in painting, then where are you going to do it?” Poised at the crux of freedom and aesthetics, De la Vega  question epitomized the counter cultural impulse... Click the image to see the album.

Art Democracy JORGE DE LA VEGA, ABOUT MONSTERS AND HAPPINESS / Within his short life of forty-one years, Jorge de la Vega gained recognition as one of South America’s most innovative and acclaimed artists. “If you don’t do what you must in painting, then where are you going to do it?” Poised at the crux of freedom and aesthetics, De la Vega question epitomized the counter cultural impulse... Click the image to see the album.

Xul Solar. Proa (Boceto), 1925

Xul Solar. Proa (Boceto), 1925

1928 Jorge Luis Borges, El Idioma de los argentinos. Buenos Aires, Gleizer, Intervenido por Xul Solar. Colección Museo Xul Solar

1928 Jorge Luis Borges, El Idioma de los argentinos. Buenos Aires, Gleizer, Intervenido por Xul Solar. Colección Museo Xul Solar

Emilio Pettorutti (1892-1971), El Hombre de la Flor Amarilla, 1932. via

Emilio Pettorutti (1892-1971), El Hombre de la Flor Amarilla, 1932. via

Télam - Una muestra rescata la visión utópica de Víctor Grippo sobre el arte

Télam - Una muestra rescata la visión utópica de Víctor Grippo sobre el arte

Xul Solar, Carta astral de Jorge Luis Borges

Xul Solar, Carta astral de Jorge Luis Borges

Solar, Xul (1887-1963) - 1944 Walls and Stairs (Private Collection)

Solar, Xul (1887-1963) - 1944 Walls and Stairs (Private Collection)

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