Mousse #61

Mousse Magazine #61 December 2017 - January 2018
20 Pins633 Followers
#Mousse61 #MousseMagazine Yasuhiro Ishimoto, Katsura Imperial Villa 1981-1982. Collection of The Museum of Art, Kochi. © Kochi Prefecture, Ishimoto Yasuhiro Photo Center

#Mousse61 #MousseMagazine Yasuhiro Ishimoto, Katsura Imperial Villa 1981-1982. Collection of The Museum of Art, Kochi. © Kochi Prefecture, Ishimoto Yasuhiro Photo Center

#Mousse61 #MousseMagazine William Pope.L: Trinket, installation view at The Geffen Contemporary at MOCA, Los Angeles, 2015. Courtesy: The Museum of Contemporary Art, Los Angeles. Photo: Brian Forrest

#Mousse61 #MousseMagazine William Pope.L: Trinket, installation view at The Geffen Contemporary at MOCA, Los Angeles, 2015. Courtesy: The Museum of Contemporary Art, Los Angeles. Photo: Brian Forrest

#Mousse61 #MousseMagazine Galleria dei Dipinti, Museo di Castelvecchio, Verona. Project by Carlo Scarpa, 1957-1973. Photo: Federico Puggioni

#Mousse61 #MousseMagazine Galleria dei Dipinti, Museo di Castelvecchio, Verona. Project by Carlo Scarpa, 1957-1973. Photo: Federico Puggioni

#Mousse61 #MousseMagazine Sara Ramo, Pano de Fundo, 2012, installation view at Galpão Fortes Vilaça, São Paulo (currently known as Fortes D’Aloia & Gabriel | Galpão), 2012. Courtesy: Fortes D’Aloia & Gabriel, São Paulo. Photo: Eduardo Ortega

#Mousse61 #MousseMagazine Sara Ramo, Pano de Fundo, 2012, installation view at Galpão Fortes Vilaça, São Paulo (currently known as Fortes D’Aloia & Gabriel | Galpão), 2012. Courtesy: Fortes D’Aloia & Gabriel, São Paulo. Photo: Eduardo Ortega

#Mousse61 #MousseMagazine  El Lissitzky, Kabinett der Abstrakten, 1928-1929. Hannover, Sprengel Museum. © 2017. Foto Scala, Firenze / bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin

#Mousse61 #MousseMagazine El Lissitzky, Kabinett der Abstrakten, 1928-1929. Hannover, Sprengel Museum. © 2017. Foto Scala, Firenze / bpk, Bildagentur fuer Kunst, Kultur und Geschichte, Berlin

#Mousse61 #MousseMagazine Michael Asher, installation view at Santa Monica Museum of Art, 2008. Photo: Grant Mudford

#Mousse61 #MousseMagazine Michael Asher, installation view at Santa Monica Museum of Art, 2008. Photo: Grant Mudford

#Mousse61 #MousseMagazine View of the picture gallery of MASP on Avenida Paulista, 1970s. Lina Bo Bardi, exhibition design. Photo: Luiz Hossaka

#Mousse61 #MousseMagazine View of the picture gallery of MASP on Avenida Paulista, 1970s. Lina Bo Bardi, exhibition design. Photo: Luiz Hossaka

#MousseMagazine #SpecialIssue #December2017 #January2018 #OnDisplay #PhotoIssue #2017 #2018 #Magazine #Mousse61 #Mousse #61

#MousseMagazine #SpecialIssue #December2017 #January2018 #OnDisplay #PhotoIssue #2017 #2018 #Magazine #Mousse61 #Mousse #61

#Mousse61 #MousseMagazine Trinh T. Minh-ha installation view at Secession, Vienna, 2001. Photo: Matthias Herrmann

#Mousse61 #MousseMagazine Trinh T. Minh-ha installation view at Secession, Vienna, 2001. Photo: Matthias Herrmann

#Mousse61 #MousseMagazine Cally Spooner, On False Tears and Outsourcing – dancers responsible for delivering self-organized efforts to resolve difficult and time-consuming issues “go the distance” across multiple overlapping phases using appropriated competitive strategies and appropriated intimate gestures, 2016, performance at New Museum, New York, 2016. Courtesy: the artist; New Museum, New York; gb agency, Paris; ZERO..., Milan. Photo: Jeremiah Wilson

#Mousse61 #MousseMagazine Cally Spooner, On False Tears and Outsourcing – dancers responsible for delivering self-organized efforts to resolve difficult and time-consuming issues “go the distance” across multiple overlapping phases using appropriated competitive strategies and appropriated intimate gestures, 2016, performance at New Museum, New York, 2016. Courtesy: the artist; New Museum, New York; gb agency, Paris; ZERO..., Milan. Photo: Jeremiah Wilson

#Mousse61 #MousseMagazine Artist’s Choice: Burton on Brancusi installation views at The Museum of Modern Art, New York, 1989. New York, Museum of Modern Art (MoMA). Gelatin-silver print, 6 1/2 x 9" (16.5 x 22.9 cm). Photographic Archive. The Museum of Modern Art Archives, New York. Cat. no.: IN1514.2.© 2017. Digital image, The Museum of Modern Art, New York / Scala, Florence. Photo: Mali Olatunji

#Mousse61 #MousseMagazine Artist’s Choice: Burton on Brancusi installation views at The Museum of Modern Art, New York, 1989. New York, Museum of Modern Art (MoMA). Gelatin-silver print, 6 1/2 x 9" (16.5 x 22.9 cm). Photographic Archive. The Museum of Modern Art Archives, New York. Cat. no.: IN1514.2.© 2017. Digital image, The Museum of Modern Art, New York / Scala, Florence. Photo: Mali Olatunji

#Mousse61 #MousseMagazine A Book of Burning Matches: Collecting Installation Art Documents, installation view at me Collector’s Room Berlin / Olbricht Foundation, Berlin, 2015. Courtesy: SE8 Gallery, London

#Mousse61 #MousseMagazine A Book of Burning Matches: Collecting Installation Art Documents, installation view at me Collector’s Room Berlin / Olbricht Foundation, Berlin, 2015. Courtesy: SE8 Gallery, London

#Mousse61 #MousseMagazine Herbert Bayer, Extended Field of Vision, 1930. Courtesy: Private Collection. Displayed in Céline Condorelli, Epilogue, P!, New York, 2017. Courtesy: the artist and P!, New York. Photo: Sebastian Bach

#Mousse61 #MousseMagazine Herbert Bayer, Extended Field of Vision, 1930. Courtesy: Private Collection. Displayed in Céline Condorelli, Epilogue, P!, New York, 2017. Courtesy: the artist and P!, New York. Photo: Sebastian Bach

#Mousse61 #MousseMagazine Sidewalk view of COLAB’s Times Square Show with signs by Tom Otterness advertising the attractions inside, New York, June 1980. Photo: © Lisa Kahane, NYC. All Rights Reserved

#Mousse61 #MousseMagazine Sidewalk view of COLAB’s Times Square Show with signs by Tom Otterness advertising the attractions inside, New York, June 1980. Photo: © Lisa Kahane, NYC. All Rights Reserved

#Mousse61 #MousseMagazine Barbad Golshiri, Vanitas;​ ​a​ ​Reenactment, 2008-2014, Punctum installation view at The Salzburger Kunstverein, Salzburg, 2014. On the right, in the projection, Claudia Gian Ferrari. © Barbad Golshiri. Courtesy: the artis

#Mousse61 #MousseMagazine Barbad Golshiri, Vanitas;​ ​a​ ​Reenactment, 2008-2014, Punctum installation view at The Salzburger Kunstverein, Salzburg, 2014. On the right, in the projection, Claudia Gian Ferrari. © Barbad Golshiri. Courtesy: the artis

#Mousse61 #MousseMagazine Plug In #38: Lily van der Stokker and Guest: H.W. Werther installation view at Van Abbemuseum, Eindhoven, 2008. Photo: Peter Cox

#Mousse61 #MousseMagazine Plug In #38: Lily van der Stokker and Guest: H.W. Werther installation view at Van Abbemuseum, Eindhoven, 2008. Photo: Peter Cox

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