Michelangelo Pistoletto, Etruscan Holding Up A Mirror, 1976
Michelangelo Pistoletto, "Divisione e moltiplicazione dello specchio", 1978
Michelangelo Pistoletto I find this installation interesting because the perceived and experiential qualities of walking through is something completely different than what can be seen from above. It begs the question of necessity with all of the complications and intertwining within the "walls" when they don't seem to offer anything but an aesthetic appeal from a seemingly impossible viewpoint.
Michelangelo Pistoletto, Mirror cage, double square, 1976-2007, mirrors, iron
(ART) Michelangelo Pistoletto, Venere degli stracci (Venus of the Rags), 1967. Interessant beeld omdat je niet meteen ziet wat er aan de hand is.Beleving van kunst.