Piero della Francesca, Vision of Constantine, 1452-1466, fresco, 329 x 190 cm (San Francesco, Arezzo)

Piero della Francesca, Vision of Constantine, 1452-1466, fresco, 329 x 190 cm (San Francesco, Arezzo)

Piero della Francesca | Madonna del Parto (detail) 1467 Detached fresco, 260 x 203 cm Chapel of the cemetery, Monterchi (Arezzo)

Piero della Francesca | Madonna del Parto (detail) 1467 Detached fresco, 260 x 203 cm Chapel of the cemetery, Monterchi (Arezzo)

Piero della Francesca ~ Mary Magdelene, ca. 1460, Fresco, San Donato cathedral, Arezzo)

Piero della Francesca ~ Mary Magdelene, ca. 1460, Fresco, San Donato cathedral, Arezzo)

PIERO DELLA FRANCESCA - (1415 - 1492) | The Queen of Sheba in Adoration of the Wood and the Meeting of Solomon and the Queen of Sheba (detail). Fresco. San Francesco, Arezzo, Italy.

PIERO DELLA FRANCESCA - (1415 - 1492) | The Queen of Sheba in Adoration of the Wood and the Meeting of Solomon and the Queen of Sheba (detail). Fresco. San Francesco, Arezzo, Italy.

Pierro Della Francesco, The Queen of Sheba in adoration of the Wood and the Meeting of Solomon and the Queen of Sheba c. 1466 (130 Kb); Fresco, 336 x 747 cm; San Francesco, Arezzo

Pierro Della Francesco, The Queen of Sheba in adoration of the Wood and the Meeting of Solomon and the Queen of Sheba c. 1466 (130 Kb); Fresco, 336 x 747 cm; San Francesco, Arezzo

piero della francesca, the resurrection

piero della francesca, the resurrection

Piero Della Francesca’s Brera Madonna, detail of the niche. Executed in 1472-1474. Pinacoteca di Brera of Milan. / The shell was a symbol of the new Venus, Mary, and the egg is generally considered a symbol of the Creation.

Piero Della Francesca’s Brera Madonna, detail of the niche. Executed in 1472-1474. Pinacoteca di Brera of Milan. / The shell was a symbol of the new Venus, Mary, and the egg is generally considered a symbol of the Creation.

Piero Della Francesca: "Certainly many painters who do not use perspective have also been the object of praise; however, they were praised with faulty judgement by men with no knowledge of the value of this art."

Piero Della Francesca: "Certainly many painters who do not use perspective have also been the object of praise; however, they were praised with faulty judgement by men with no knowledge of the value of this art."

Piero della Francesca, Le baptême du Christ, détail

Piero della Francesca, Le baptême du Christ, détail

Piero della Francesca - La Santa Maria Magdalena detalle

Piero della Francesca - La Santa Maria Magdalena detalle

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