ornament to appeal to humans’ upwardly-directed vision, he only takes ornamentation—when he uses it—as far as the first one or two levels of the exterior of his buildings. The Goldman and Salatsch building on the Michaelerplatz in Vienna (Fig. 5) illustrates this point perfectly.
architect design™: Villa Karma
Adolf Loos, Villa Karma, Montreux, Switzerland, 1904