Robert Bresson’s cinematic philosophy – Dennis Lim
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Robert bresson
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Au Hasard Balthazar (Robert Bresson, 1966)
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Robert Bresson
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Martin LaSalle and Marika Green in Robert Bresson’s 1959 film Pickpocket. Photo courtesy the Criterion Collection
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Robert Bresson (1901-1999)
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robert bresson
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Henri Cartier-Bresson 1960
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The way you feel when you kiss him Like fire within your bones Like your soul has returned to the water Like every part of you that came from a dead star is alive again. Is like you saying "I love you" without actually saying it It’s the best feeling anyone could experience.
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Robert Bresson, (born September 25, 1901, Bromont-Lamonthe, Puy-de Dôme, France—died December 18, 1999, Droué-sur-Drouette), French writer-director who, despite his limited output, has been rightly celebrated as one of the cinema’s few authentic geniuses. Details of Bresson’s early years are sketchy, though it is known that he began painting in high school, where he excelled in languages and philosophy; that he attended Paris’s Lycée Lakanal à Sceaux; and that he was married in 1926. He…
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robert bresson
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Not to shoot a film in order to illustrate a thesis, or to display men and women confined to their external aspect, but to discover the matter they are made of. To attain that “heart of the heart” which does not let itself be caught either by poetry, or by philosophy or by drama. Robert Bresson
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A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.
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Robert Bresson
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Slang term “jacka**” applies to everyone except the actual donkey. ~P #10wordmoviereviews #auhasardbalthazar #robertbresson #annewiazemsky #françoislafarge #jeanclaudegilbert #robertbresson
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Irish Film Institute on Instagram: “Robert Bresson's 1959 classic PICKPOCKET follows Michel, who, on realising the pleasure he derives from his initially clumsy acts of…”
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