George grosz

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George Grosz, Street Scene (Kurfürstendamm) (Straßenszene [Kurfürstendamm]), 1925 Weimar, New Objectivity, Ludwig Meidner, George Grosz, Max Beckmann, Emil Nolde, Degenerate Art, German Expressionism, Max Ernst

“ Splendor and Misery in the Weimar Republic ”

SCHIRN KUNSTHALLE FRANKFURT, OCTOBER 27, 2017 – FEBRUARY 25, 2018 Social tensions, political struggles, social upheavals, as well as artistic revolutions and innovations characterize the Weimar Republic. Beginning October 27, 2017, the Schirn Kunsthalle Frankfurt is presenting German art from 1918 to 1933 in a major thematic exhibition. Direct, ironic, angry, accusatory, and often even prophetic works demonstrate the struggle for democracy and paint a picture of a society in the midst of…