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Della robbia
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Property from a Distinguished European Family CollectionWORKSHOP OF ANDREA DELLA ROBBIA (1435-1525)ITALIAN, FLORENCE, LATE 15TH/ EARLY
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Emile Gavet , Paris (until 1889) ; Mrs. Oliver Hazard Perry Belmont , Newport, Rhode Island (by 1922) ; [ Duveen Brothers , until 1928; sold to Herbert H. Lehman ] ; Governor (later Senator) and Mrs. Herbert Lehman (1928–69)
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Andrea della Robbia (Workshop of) Italian, 1435-1525 Adoration of the Christ Child, c. 1525
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Madonna and Child with Cherubs by Andrea della Robbia - National Gallery of Art, Washington
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Della Robbia bust @ the Bargello
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The National Gallery of Art explores the radical inventiveness of the della Robbia family, the clay and color masters of the Italian Renaissance.
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The composition of this tondo is derived from a medallion by Andrea della Robbia now in the Philadelphia Museum of Art.
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ANDREA DELLA ROBBIA (1435-1525), FLORENCE, CIRCA 1485 THE VIRGIN AND CHILD Estimate GBP 80,000 - GBP 120,000 (USD 102,079 - USD 153,119) Change Currency Sign in to bid Follow lot Add to Interests ANDREA DELLA ROBBIA (1435-1525), FLORENCE, CIRCA 1485 THE VIRGIN AND CHILD Blue and white glazed terracotta relief; in a later parcel-gilt wood frame 18 x 12 in. (46 x 33 cm.); 26 ½ x 19 in. (67 x 48 cm.), overall Provenance Private collection, France, since at least 1870, and by descent.
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c. 1492 41 cm diameter
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Roundel, circular relief in polychrome tin-glazed terracotta, with a classical female head, workshop of Giovanni della Robbia, Florence, ca. 1520-25
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Plaster cast, painted plaster, of an original glazed terracotta bust of a child, in the Museo Nazionale (Bargello), by Andrea della Robbia, Florence, ca. 1460-1490, cast by Messrs Franchi & Son, London, ca.1867
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Figure of a boy playing the bagpipes by Andrea della Robbia, Florence, about 1490-1520
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Andrea della Robbia Annunciation (1490) glazed Terracotta Berlin Bode Museum wikimedia
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We see the Assumption of the blessed virgin Mary into heaven. The Alter recounts how Our Lady dropped her cincture (belt) down to St. Thomas the Apostle as she was being assumed into heaven. Why St. Thomas? In her merciful care for him, the Blessed Virgin gives the incredulous apostle a second chance to demonstrate his faith. According to the legend, the reception of the cincture allows St. Thomas to atone for his previous disbelief in the resurrection by becoming the first herald of the…
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Homesickness: the masterpiece by Andrea della Robbia in the Paul and Gill Ruddock Gallery at the V&A
There is a room, n.50 in the Victoria & Albert museum, dedicated to a spectacular collection of Italian Renaissance sculpture. It is named The Paul and Jill Ruddock Gallery. Sir […]
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