Avant garde typeface

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the poster for an event with different font and colors

ITC Avant Garde Gothic is a font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, then he and Tom Carnase, a partner in Lubalin’s design firm, worked together to transform the idea into a full-fledged typeface. The condensed fonts were drawn by Ed Benguiat in 1974, and the obliques were designed by André Gürtler, Erich Gschwind and Christian Mengelt in 1977.

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an image of some type of poster with different font and numbers on the front cover

ITC Avant Garde Gothic is a font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, then he and Tom Carnase, a partner in Lubalin’s design firm, worked together to transform the idea into a full-fledged typeface. The font family consists of 5 weights (4 for condensed), with complementary obliques for widest width fonts.

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Holke79 on Instagram: "Hate - is an infection. 😮 Be aware. Be careful with what you read - watch. Try to understand others point of view. There is no such a thing as The True. Algorithm doesn't help you. Made with Physarum plugin for After Effects available at aescripts-dot-com. 💥 Font is: Avant garde. Designer: Herb Lubalin. #kinetictypography #kinetictype #typography #adobeaftereffects #motiondesign #motiongraphics #graphicdesign #design #animation #poster #hate #holke79" Hate Is An Infection
Hate Is An Infection

Holke79 on Instagram: "Hate - is an infection. 😮 Be aware. Be careful with what you read - watch. Try to understand others point of view. There is no such a thing as The True. Algorithm doesn't help you. Made with Physarum plugin for After Effects available at aescripts-dot-com. 💥 Font is: Avant garde. Designer: Herb Lubalin. #kinetictypography #kinetictype #typography #adobeaftereffects #motiondesign #motiongraphics #graphicdesign #design #animation #poster #hate #holke79"

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the logo for public broadcasting service, which has been designed to look like it is in neon

The second PBS ident was used from 1971 to September 30, 1984. It features cel-animated tricolor letters that assemble onscreen to form the logo, similar to the concepts used for production logos from that era, such as those from MTM Enterprises. This ident was designed by Ernie

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