The Bizarrely Beautiful World of Relics in Religious History
Holy Relics: The tissue of the 16th century Italian priest Philip Neri, "The Apostle of Rome" surrounding his expanding heart (Santa Maria in Vallicella or Chiesa Nuova Church, Rome)
The tomb of St. Philip Neri in the church of Santa Maria in Vallicella, commonly called Chiesa Nuova.
Pieter Paul Rubens. 1606-08. Oil on slate. It covers and protects an ancient icon. On Sundays and Solemnities, the painting of Our lady by Rubens slides away by means of a hidden mechanism, revealing beneath the ancient icon.
First version by Rubens for the main altar. Oil on canvas. Rejected. St. Gregory. Musée de Grenoble.
Federico Barocci - The Visitation. 1583-86. Santa Maria in Vallicella (Chiesa Nuova), Rome.
Ancient icon and venerated image. At the request of St. Philip, the painting was transported to the interior of the still unfinished Chiesa Nuova. The icon was placed in the Chapel of the Purification until the work on the main altar and the paintings by Rubens were completed. The emblem of the Congregation founded by San Filippo Neri.
Rubens (photo by Paul Hermans). Left side on the altar. Saint Domitilla between SS. Nereus and Achilleus.
***Stefano Maderno. Santa cecilia, 1600. Roma, iglesia de Santa Cecilia in Trastevere. Atributos: Túnica y manto de las doncellas romanas. Instrumentos musicales (patrona de los músicos), corona de flores y 3 heridas en el cuello.
Rembrandt. Autoportrait au béret et gorget, 1634. Hst, 62,5x54cm. Florence, Galerie des Offices.
Turner. Dido building Carthage; or the Rise of the Carthaginian Empire 1815
Google Image Result for http://photo.goodreads.com/books/1327994427l/30741.jpg
“The Wanderer over the Sea of Fog,” Casper David Friedrich