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The pair of lamps Ovidio, in a numbered series and exhibited in setting DESIGN DIALOGUES in La Galerie 11 Columbia, is a clear example: overlapping brass layers does not close on itself and leaves indeed that the two crystal semicircles enact a light blade, reflected in the golden embrace.

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ovidio lamp | Bevilacqua Architects

bevilacquaarchitects.com

The current dichotomy between infinite languages and no language reveals the need to recover the excellences of the Italian design tradition.The experiment was to reinterpret today some distinctive signs of Pietro Chiesa and Max Ingrand for Fontana Arte, using the most advanced technologies currently available, so as to rethink the design approaches in a process of “perfectibility of the work” aiming to enhance the idea. Bevilacqua Architects Design Miami/ Basel – June 17-22 2014

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Livio lamp Design Miami/ Basel | Bevilacqua Architects

bevilacquaarchitects.com

Bevilacqua Architects Fendi - Un art autre - Tokyo

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