Amico Aspertini, Battesimo, XVI secolo

Amico Aspertini, Battesimo, XVI secolo

Amico Aspertini (1474/5-1552), Madonna and Child Enthroned with Saints and Two Donors (Pala del tirocinio) (1503-1504), Pinacoteca Nazionale, Bologna.

Amico Aspertini (1474/5-1552), Madonna and Child Enthroned with Saints and Two Donors (Pala del tirocinio) (1503-1504), Pinacoteca Nazionale, Bologna.

Amico Aspertini - "Adorazione dei pastori" - Libro d'Ore di Bonaparte Ghislieri, detto anche del PERUGINO, pinacoteca in miniatura - Londra, British Library, Ms. Yates Thompson 29

Amico Aspertini - "Adorazione dei pastori" - Libro d'Ore di Bonaparte Ghislieri, detto anche del PERUGINO, pinacoteca in miniatura - Londra, British Library, Ms. Yates Thompson 29

Amico Aspertini, Heroic Head, 16thC, - Esztergom, Keresztény Múzeum

Amico Aspertini, Heroic Head, 16thC, - Esztergom, Keresztény Múzeum

Amico Aspertini, Pietà coi Santi Marco, Ambrogio, Giovanni Evangelista e Antonio Abate, Basilica di San Petronio, Bologna

Bizzarrie di Amico Aspertini nell’età di Dürer e Raffaello

Amico Aspertini, Pietà coi Santi Marco, Ambrogio, Giovanni Evangelista e Antonio Abate, Basilica di San Petronio, Bologna

Amico Aspertini, Saint Sebastian, c. 1505

Amico Aspertini, Saint Sebastian, c. 1505

1510-1520  Print made by: Amico Aspertini. Three musician soldiers, the one at the right plays a flute. c.1510-20. Drypoint. Aspertini's monogram is inscribed on the stone at the bottom but the meaning of the numbers 147 that appear on the other stone is not known.  Three musician soldiers in the costume of Swiss or German lansquenet, a theme that was very popular during the early years of the sixteenth century. Here, the figures are set against a Venetian lagoon.

1510-1520 Print made by: Amico Aspertini. Three musician soldiers, the one at the right plays a flute. c.1510-20. Drypoint. Aspertini's monogram is inscribed on the stone at the bottom but the meaning of the numbers 147 that appear on the other stone is not known. Three musician soldiers in the costume of Swiss or German lansquenet, a theme that was very popular during the early years of the sixteenth century. Here, the figures are set against a Venetian lagoon.

The Seven Headed #Dragon, formerly attributed to Amico Aspertini, now attributed to Leonardo da Vinci (Testimone del Fuoco)

The Seven Headed #Dragon, formerly attributed to Amico Aspertini, now attributed to Leonardo da Vinci (Testimone del Fuoco)

Adoration of the Magi, Amico Aspertini, ca. 1504, Bologna Italy, Oil

Adoration of the Magi, Amico Aspertini, ca. 1504, Bologna Italy, Oil

Amico Aspertini. Adoration of the Shepherds. ca.1496

Amico Aspertini. Adoration of the Shepherds. ca.1496

Pinterest
Cerca