Matrimonio All' Italiana Sophia Loren e Marcello Mastroianni di Vittorio De Sica 1964

Matrimonio All' Italiana Sophia Loren e Marcello Mastroianni di Vittorio De Sica 1964

Michelangelo Antonioni - Il Deserto Rosso (1964) DOP: Carlo Di Palma

Red Desert (1964)

There is much debate about Michelangelo Antonioni and cinematographer Carlo Di Palma’s intentions for the highly controlled and extremely expressive use of color in Red Desert (1964). This Technicolor masterwork was Antonioni’s first color feature, and presents us with one of the most emotionally illustrative and evocative uses of pallete in cinema history.

There is much debate about Michelangelo Antonioni and cinematographer Carlo Di Palma’s intentions for the highly controlled and extremely expressive use of color in Red Desert (1964). This Technicolor masterwork was Antonioni’s first color feature, and presents us with one of the most emotionally illustrative and evocative uses of pallete in cinema history.

"Red Desert" by Michelangelo Antonioni, 1964 (with colour palette)

"Red Desert" by Michelangelo Antonioni, 1964 (with colour palette)

Michelangelo Antonioni on the set of L’eclisse.

Michelangelo Antonioni on the set of L’eclisse.

"Red Desert" by Michelangelo Antonioni, 1964 (with colour palette)

"Red Desert" by Michelangelo Antonioni, 1964 (with colour palette)

"Red Desert" by Michelangelo Antonioni (1964).

"Red Desert" by Michelangelo Antonioni (1964).

Red Desert - Monica Vitti - Michelangelo Antonioni - 1964

Red Desert - Monica Vitti - Michelangelo Antonioni - 1964

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L'Eclisse (M. Antonioni, 1962) - Opening Sequence.avi

L'Eclisse (M. Antonioni, 1962) - Opening Sequence.avi

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