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Come Fare i Ciambelloni Alti e Soffici - Ricette Dolci e Cucina - Video Tutorial

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Ingmar Bergman-ALL of his films...they are beautiful and terrible and strange...

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Alfred Hitchcock, “The Master of Suspense” in 1955.

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“I'm a writer and, therefore, automatically a suspicious character.” ― Alfred Hitchcock

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“Hollywood is like being nowhere and talking to nobody about nothing.” Michelangelo Antonioni

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Rainer Werner Fassbinder during the filming of "Querelle: A Film About Jean Genet's 'Querelle de Brest'"

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I saw my first 200 films on the sly, playing hooky and slipping into the movie house without paying—through the emergency exit or the washroom window—or by taking advantage of my parents’ going out for an evening (I had to be in bed, pretending to be asleep, when they came home). I paid for these pleasures with stomach aches, cramps, nervous headaches and guilty feelings, which only heightened the emotions evoked by the films.

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Alfred Hitchcock in the background while Ingrid Bergman and Gregory Peck kiss on the set of “Spellbound” (1945)

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M17/44: Aveva un cannone da 65/64 modificato per il carro (72 colpi) e due mitragliatrici, Breda-Safat (una si trovava in torretta, l'altra nello scafo, con 2200 cartucce). Corazzatura: Frontale: 70mm Laterale: 55mm Posteriore: 40mm Superiore: 18mm Corazzatura torretta: Scudo: 75mm Frontale: 50mm Laterale: 50mm Posteriore:40mm L'equipaggio era tutto armato con delle pistole. La corazza era in un unico blocco fusa, saldata e inclinata di un tot. di gradi.

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