Gemaakt door: Henry Moore. Dit sculptuur sprak mij aan door dat ik er een gezicht in zie van twee kanten. maar als je het schuin bekijkt is het weer iets totaal anders ( abstract ). de vorm ervan is echt gaaf doordat het dus organisch is en dat mijn voorkeur is. hoe er gewerkt wordt met schaduw vind ik leuk omdat je er daardoor echt een gezicht in ziet, de schaduw voegt nog wat extra toe.

Gemaakt door: Henry Moore. Dit sculptuur sprak mij aan door dat ik er een gezicht in zie van twee kanten. maar als je het schuin bekijkt is het weer iets totaal anders ( abstract ). de vorm ervan is echt gaaf doordat het dus organisch is en dat mijn voorkeur is. hoe er gewerkt wordt met schaduw vind ik leuk omdat je er daardoor echt een gezicht in ziet, de schaduw voegt nog wat extra toe.

HENRY MOORE 1898 - 1986 INTERIOR FORM  Inscribed Moore and numbered 6/9 Bronze Height: 19 1/4 in. 48.8 cm Conceived in 1951 and cast in 1981

HENRY MOORE 1898 - 1986 INTERIOR FORM Inscribed Moore and numbered 6/9 Bronze Height: 19 1/4 in. 48.8 cm Conceived in 1951 and cast in 1981

"Henry Moore: Wunderkammer–Origin of Forms" at Gagosian Davies Street. February 9–April 2, 2015

"Henry Moore: Wunderkammer–Origin of Forms" at Gagosian Davies Street. February 9–April 2, 2015

Henry Moore - saw this as part of a large Henry Moore exhibition at the Burrell in Glasgow, all outside in the parkland..... my 7 year old daughter took amazing photos.... that was the first time she asked for a camera....

Henry Moore: In the garden of delights

Henry Moore - saw this as part of a large Henry Moore exhibition at the Burrell in Glasgow, all outside in the parkland..... my 7 year old daughter took amazing photos.... that was the first time she asked for a camera....

Henry Moore,"Upright Form", 1966

Henry Moore,"Upright Form", 1966

Henry Moore (1898-1986) Donna distesa, 1951. Pietra. The Henry Moore Foundation, Leeds. Argan vede nei corpi delle sculture dell'artista inglese l'uomo che verrà, l'uomo ormai libero dalle sue dipendenze logiche e dai vincoli di misure proporzionali. Ispirato da tragiche scene di figure rannicchiate su se stesse, il corpo scopre qui cavità nuove, nuove sinuose forme che connotano un uomo che riconosciamo e che amiamo istintivamente.

Henry Moore at Tate Britain

Henry Moore (1898-1986) Donna distesa, 1951. Pietra. The Henry Moore Foundation, Leeds. Argan vede nei corpi delle sculture dell'artista inglese l'uomo che verrà, l'uomo ormai libero dalle sue dipendenze logiche e dai vincoli di misure proporzionali. Ispirato da tragiche scene di figure rannicchiate su se stesse, il corpo scopre qui cavità nuove, nuove sinuose forme che connotano un uomo che riconosciamo e che amiamo istintivamente.

"The artist hand" Henry Moore Henry Moore's subject is the aged body. He made these drawings of his own hands when he was eighty-one and suffering from ill-health. 'Hands can convey so much' he said, 'they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed'.

"The artist hand" Henry Moore Henry Moore's subject is the aged body. He made these drawings of his own hands when he was eighty-one and suffering from ill-health. 'Hands can convey so much' he said, 'they can beg or refuse, take or give, be open or clenched, show content or anxiety. They can be young or old, beautiful or deformed'.

Henry Moore OM, CH ‘Maquette for Family Group’, 1945 © The Henry Moore Foundation. All Rights Reserved

Henry Moore OM, CH ‘Maquette for Family Group’, 1945 © The Henry Moore Foundation. All Rights Reserved

Images of Sculptures of Henry Moore

Images of Sculptures of Henry Moore

Reclining Nude  Artist:Henry Moore (British, Castleford 1898–1986 Much Hadham) Date:1950 Medium:Bronze Dimensions:8 x 17 5/8 x 5 in. (20.3 x 44.8 x 12.7 cm)

Reclining Nude Artist:Henry Moore (British, Castleford 1898–1986 Much Hadham) Date:1950 Medium:Bronze Dimensions:8 x 17 5/8 x 5 in. (20.3 x 44.8 x 12.7 cm)

"Head and Shoulders" (1927), by Henry Moore. Private collection (Michael Hue-Williams, London); Verde di Prato marble

"Head and Shoulders" (1927), by Henry Moore. Private collection (Michael Hue-Williams, London); Verde di Prato marble

Sculptor Henry Moore sitting before his Sheep Piece (1971-72) in Hoglands, Hertsfordshire, England.

Creative Forces

Sculptor Henry Moore sitting before his Sheep Piece (1971-72) in Hoglands, Hertsfordshire, England.

Henry Moore, Standing Figures and Ideas for Sculptures, 1948

Henry Moore, Standing Figures and Ideas for Sculptures, 1948

Henry Moore 1898-1986 » henry-moore-sculpture-3

henry-moore-sculpture-3

Henry Moore 1898-1986 » henry-moore-sculpture-3

Henry Moore - Reclining Figure 1929 - Henry Moore at Tate Britain

Henry Moore at Tate Britain, review

Henry Moore - Reclining Figure 1929 - Henry Moore at Tate Britain

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