Manifestazione interventista (Festa patriottica-dipinto parolibero), 1914, Carlo Carrá. Collezione Peggy Guggenheim, Venezia.

Manifestazione interventista (Festa patriottica-dipinto parolibero), 1914, Carlo Carrá. Collezione Peggy Guggenheim, Venezia.

Putin, eroi, stelle: la Russia patriottica pronta alla sua festa

Putin, eroi, stelle: la Russia patriottica pronta alla sua festa

Aprons Mommy & Me RED White Polka Dots RUFFLED Flounce FUN

Aprons Mommy & Me RED White Polka Dots RUFFLED Flounce FUN

Manifestation interventionniste, Carrà, 1914

Manifestation interventionniste, Carrà, 1914

Pizza patriottica

Pizza patriottica

July. Vine wreath wrapped with "airy" red, white & blue seed garland (might need to glue separate twigs to get that airy look). Spot with occasional button and tin star. Add bow & flag.

Americana Wreath, Patriotic Wreath, Fourth of July Wreath, Rustic Decor, Country Cottage, Tea Stained Flag

July. Vine wreath wrapped with "airy" red, white & blue seed garland (might need to glue separate twigs to get that airy look). Spot with occasional button and tin star. Add bow & flag.

Gemälde Titel: Visuelle Synthese der Idee: Krieg, 1914 | Künstler: Gino Severini (inspired by) (1883-1966) | Kunstgemälde Reproduktion von TOPofART.com

Visuelle Synthese der Idee: Krieg, 1914 von Gino Severini

Gemälde Titel: Visuelle Synthese der Idee: Krieg, 1914 | Künstler: Gino Severini (inspired by) (1883-1966) | Kunstgemälde Reproduktion von TOPofART.com

Incredible and Unique Drawings by Brooks Salzwedel - Artists Inspire Artists

Incredible and Unique Drawings by Brooks Salzwedel - Artists Inspire Artists

Gino Severini was an Italian painter who synthesized the styles of Futurism and Cubism. Severini began his painting career in 1900 as a student of Giacomo Balla, an Italian pointillist who later became a prominent futurist. In 1910 he signed the futurist manifest. Futurists wanted to revitalize Italian art by depicting the speed and dynamism of modern life.

Gino Severini was an Italian painter who synthesized the styles of Futurism and Cubism. Severini began his painting career in 1900 as a student of Giacomo Balla, an Italian pointillist who later became a prominent futurist. In 1910 he signed the futurist manifest. Futurists wanted to revitalize Italian art by depicting the speed and dynamism of modern life.

Umberto Boccioni Les adieux 1911

Umberto Boccioni Les adieux 1911

Morris Cantor:Nude,1923 Oil on canvas,signed and dated Collection Ronny Van de Velde,Antwerp,Belguim

Morris Cantor:Nude,1923 Oil on canvas,signed and dated Collection Ronny Van de Velde,Antwerp,Belguim

Manifestation interventionniste, Carrà, 1914

Manifestation interventionniste, Carrà, 1914

Manifestation interventionniste (1914), de Carlo Carrà.Carlo Carrà was an Italian painter, a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art.

Manifestation interventionniste (1914), de Carlo Carrà.Carlo Carrà was an Italian painter, a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art.

Gino Severini, The Hospital Train, 1915

Gino Severini, The Hospital Train, 1915

Ballerina  Blu: Gino Severini. 1912, Peggy Guggenheim Museum in Venice.

Ballerina Blu: Gino Severini. 1912, Peggy Guggenheim Museum in Venice.

The Arrival - Christopher Richard Wynne Nevinson (1913). Nevinson was a painter during in Futurism Era which reflected the modernisation of Italian art and social attitudes. The Futurism artists rejected the art and culture of the past and embraced modern technology such as cars and trams, the Machine Age, the excitement and speed of city life and the violence of war. The Futurists called on elements of Cubism and Divisionism to create a new style remote from the old artistic traditions.

The Arrival - Christopher Richard Wynne Nevinson (1913). Nevinson was a painter during in Futurism Era which reflected the modernisation of Italian art and social attitudes. The Futurism artists rejected the art and culture of the past and embraced modern technology such as cars and trams, the Machine Age, the excitement and speed of city life and the violence of war. The Futurists called on elements of Cubism and Divisionism to create a new style remote from the old artistic traditions.

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