Elena Parpinello Zaghis

Elena Parpinello Zaghis

Étudiante en design, petite et antipathique, voilà ce que j'aime
Elena Parpinello Zaghis
Altre idee da Elena
'Visions of Tahiti' - Vogue Nippon, July 2003. Photo: Nathaniel Goldberg.

'Visions of Tahiti' - Vogue Nippon, July 2003. Photo: Nathaniel Goldberg.

Untitled, 1967  Helena Almeida, Photography by Filipe Braga, © Fundação de Serralves, Porto

Untitled, 1967 Helena Almeida, Photography by Filipe Braga, © Fundação de Serralves, Porto

PHOTOGRAPHER: EMMA ANDERSON STYLIST: JAMIE ORTEGA MAKEUP: TAKAHIRO OKADA HAIR: TAKUYA YAMAGUCHI MODEL: SUSANNAH LIGUORI @ IMG

PHOTOGRAPHER: EMMA ANDERSON STYLIST: JAMIE ORTEGA MAKEUP: TAKAHIRO OKADA HAIR: TAKUYA YAMAGUCHI MODEL: SUSANNAH LIGUORI @ IMG

L'émissaire. "gel"=>"solide mou" en deux matières, l'une prise dans filet…

L'émissaire. "gel"=>"solide mou" en deux matières, l'une prise dans filet…

Laura Mackness' CSM MA graduate collection

Laura Mackness' CSM MA graduate collection

Giorgio Morandi - Still Life, 1957

Giorgio Morandi - Still Life, 1957

eco-friendly low cost business cards - create a rubber stamp and then "recycle" anything at hand into cards, via Andrea Romani (environmental consultant)

eco-friendly low cost business cards - create a rubber stamp and then "recycle" anything at hand into cards, via Andrea Romani (environmental consultant)

Clara Gutsche, The Convent Series. Images from the cloistered religious communities of Québec, among the last in North America. Originally drawn by the desire to document the cloisters' interior architectural spaces, Gutsche ultimately came under the thrall of the women themselves. Oscillating between portraiture and interior scenes, Gutsche reveals her architectural interest through formal composition, sparse settings and the stillness of the figures. However, the objectivity and evident…

Clara Gutsche, The Convent Series. Images from the cloistered religious communities of Québec, among the last in North America. Originally drawn by the desire to document the cloisters' interior architectural spaces, Gutsche ultimately came under the thrall of the women themselves. Oscillating between portraiture and interior scenes, Gutsche reveals her architectural interest through formal composition, sparse settings and the stillness of the figures. However, the objectivity and evident…

Tempête de neige, Montréal, Québec, 1971 © Gabor Szilasi

Tempête de neige, Montréal, Québec, 1971 © Gabor Szilasi

iiiinspired: some b/w likes

iiiinspired: some b/w likes