Edoardo Tontoranelli

Edoardo Tontoranelli

Edoardo Tontoranelli
Altre idee da Edoardo
162 - Angele Henry - SAM 2 - Référent Hiérarchie

162 - Angele Henry - SAM 2 - Référent Hiérarchie

Google Image Result for http://luc.devroye.org/AoyceC-GeometricFont-2012.png

Google Image Result for http://luc.devroye.org/AoyceC-GeometricFont-2012.png

Wouldn't it be nice if we could do all of our communications this beautifully?    www.theinsightfulweb.com

Wouldn't it be nice if we could do all of our communications this beautifully? www.theinsightfulweb.com

Ami Littlefair  - Inspired by the constructivist movement, she created Geometric Typeface (2013) by superposing and juxtaposing geometric solids.

Ami Littlefair - Inspired by the constructivist movement, she created Geometric Typeface (2013) by superposing and juxtaposing geometric solids.

Green Peace (Paphiopedilum) Lady Slipper Orchid http://wrp.myshaklee.com alice in wonderlandish

Green Peace (Paphiopedilum) Lady Slipper Orchid http://wrp.myshaklee.com alice in wonderlandish

Paphiopedilum Orchids are native to China, India and SouthEast Asia. A collectors favorite and often refered to as 'slipper orchids'. Fairly easy to grow and popular with hybridizers.

Paphiopedilum Orchids are native to China, India and SouthEast Asia. A collectors favorite and often refered to as 'slipper orchids'. Fairly easy to grow and popular with hybridizers.

Morphosis Architects, Higashi Azabu Office Building Conceptual Drawing, 1989 - 1991

Morphosis Architects, Higashi Azabu Office Building Conceptual Drawing, 1989 - 1991

: fabriciomora: Bart O’Doherty→The South Wal

: fabriciomora: Bart O’Doherty→The South Wal

OMMX Architects design buildings, rooms and objects, all concerned with architecture’s capacity to hold the collective and individual rituals of everyday life. Each project, regardless of scale or site, registers with an understanding of context through architectural detail and an ongoing investigation into material, composition and experiential quality.

OMMX Architects design buildings, rooms and objects, all concerned with architecture’s capacity to hold the collective and individual rituals of everyday life. Each project, regardless of scale or site, registers with an understanding of context through architectural detail and an ongoing investigation into material, composition and experiential quality.

No Exit. Taipei National University of the Arts. Scenic design by Chun-An Hsieh. 2010

No Exit. Taipei National University of the Arts. Scenic design by Chun-An Hsieh. 2010