L'Escalier d'acier … léger comme … par Gino Boccasile (1950)

L'Escalier d'acier … léger comme … par Gino Boccasile (1950)

By Gino Boccasile (1901-1952), ca 1948, Smalto Reval. (I)

By Gino Boccasile (1901-1952), ca 1948, Smalto Reval. (I)

By Gino Boccasile (1901-1952).

By Gino Boccasile (1901-1952).

Gino Boccasile, Amaro | Created by Gino Boccasile in about 1940

Gino Boccasile, Amaro | Created by Gino Boccasile in about 1940

Luigi (detto Gino) Boccasile illustratore e pubblicitario italiano  www.tommyholiday.it

Luigi (detto Gino) Boccasile illustratore e pubblicitario italiano www.tommyholiday.it

Date: ca 1940s  Artist: Gino Boccasile

Date: ca 1940s Artist: Gino Boccasile

By Gino Boccasile. La Donna Coi Fiori. Boccasile originally painted the woman nude, however this was quickly altered as the company were afraid it would be perceived as too liberal by its customers in the conservative 1950s.

By Gino Boccasile. La Donna Coi Fiori. Boccasile originally painted the woman nude, however this was quickly altered as the company were afraid it would be perceived as too liberal by its customers in the conservative 1950s.

Ramazotti - Gino Boccasile

Ramazotti - Gino Boccasile

Luigi (detto Gino) Boccasile illustratore e pubblicitario italiano  www.tommyholiday.it

Luigi (detto Gino) Boccasile illustratore e pubblicitario italiano www.tommyholiday.it

Illustration by Gino Boccasile (1901 – 1952), an Italian illustrator. Early in his youth he lost his left eye, when a drop of quicklime fell into it while he drank from a fountain. Nonetheless, he showed a precocious aptitude for design. He produced posters, illustrated fashion magazines and gained fame for his sensuous renderings of the female form.

Illustration by Gino Boccasile (1901 – 1952), an Italian illustrator. Early in his youth he lost his left eye, when a drop of quicklime fell into it while he drank from a fountain. Nonetheless, he showed a precocious aptitude for design. He produced posters, illustrated fashion magazines and gained fame for his sensuous renderings of the female form.

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