Glitch Noise Portraits

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

202 Pins

11mo

Dario Quaranta Neropop

an oil painting of a woman's face with red lips and black hat on

Frida Kahlo Portraits

Alex Katz (Bathing) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

an image of a man that is wearing a suit and tie with the words mao on it

Paula Modersohn Becker

Jenny Saville

Andy Warhol (Mao) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Otakar Hudeček (Self-Portrait) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Jenny Saville (Transgender) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

a pastel drawing of a man's head with his eyes closed and nose slightly open

Francis Bacon Self Portrait

Raymond Hains

Francis Bacon (Self-Portrait with injured Eye) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

an oil painting of a man wearing a blue shirt and red bandanna on his head

Michael K Williams

Create A Superhero

Chaz Guest (Portrait of a Man) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

a painting of a woman with yellow eyes and a hat on top of her head

Enrico Baj (Portrait of a Young Man) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Alex Katz (Announcements) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Andy Warhol (Self-Portrait) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Photorealism Art

Chuck Close (Linda) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Glitch Noise Portraits

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

202 Pins

11mo

Dario Quaranta Neropop

Frida Kahlo Portraits

Alex Katz (Bathing) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Paula Modersohn Becker

Jenny Saville

Andy Warhol (Mao) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Otakar Hudeček (Self-Portrait) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Jenny Saville (Transgender) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Francis Bacon Self Portrait

Raymond Hains

Francis Bacon (Self-Portrait with injured Eye) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Michael K Williams

Create A Superhero

Chaz Guest (Portrait of a Man) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Enrico Baj (Portrait of a Young Man) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Alex Katz (Announcements) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Andy Warhol (Self-Portrait) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Photorealism Art

Chuck Close (Linda) – Dario Quaranta Neropop

The Glitch Noise Portraits series is a collection of clips created from images - portraits and self-portraits in particular - that have been borrowed from historical works of art, photography and mass media. The images are manipulated through computer graphics in order to highlight their flat, ephemeral digital nature. If we dig deep into these images, we discover that they are made of many pixels, all of which are equal and interchangeable - the same pixels that conceptual artist Lawrence Weiner talked about in a 2012 interview: “In the digital world we live in, there is no pixel who thinks they’re better than any other pixel.” The audio of the video clip is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.