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Vine art: Foster’s Château Margaux extension blends vintage with modern | Architecture | Wallpaper* Magazine

Vine art: Foster’s Château Margaux extension blends vintage with modern | Architecture | Wallpaper* Magazine

081architects

081architects

Peter Eisenman e Buro Happold, Memoriale per gli ebrei assassinati d'Europa, Berlino, 2004.

Peter Eisenman e Buro Happold, Memoriale per gli ebrei assassinati d'Europa, Berlino, 2004.

Photograph by Max Dupain of the Art Gallery New South Wales, 1977 – interior view showing coffered concrete ceiling

Photograph by Max Dupain of the Art Gallery New South Wales, 1977 – interior view showing coffered concrete ceiling

Photograph by Max Dupain of the Art Gallery New South Wales, 1977 – interior view showing coffered concrete ceiling

Photograph by Max Dupain of the Art Gallery New South Wales, 1977 – interior view showing coffered concrete ceiling

Chipperfield disowns Milan ‘museum of horrors’ | News | Architects Journal

Chipperfield disowns Milan ‘museum of horrors’ | News | Architects Journal

David Chipperfield has renounced his museum in Milan after a "pathetic dispute".

David Chipperfield has renounced his museum in Milan after a "pathetic dispute".

Courtesy of Alex Duro

Courtesy of Alex Duro

New York Times Building - Alexander Ayres

New York Times Building - Alexander Ayres

Axonometría constructiva. Detalle de la fachada del Conservatorio de Música en Sarriko, de Roberto Ercilla y Miguel Ángel Campo. Detalle.

Axonometría constructiva. Detalle de la fachada del Conservatorio de Música en Sarriko, de Roberto Ercilla y Miguel Ángel Campo. Detalle.