Ferdinando Scianna - Sant'Elia: Sicilia: Carmen Sammartin con l'ombra della tenda.

Ferdinando Scianna - Sant'Elia: Sicilia: Carmen Sammartin con l'ombra della tenda.

Ferdinando Scianna - Sicily, Leonforte. 1976.

Ferdinando Scianna - Sicily, Leonforte. 1976.

Ferdinando Scianna - Magnum Photos

Ferdinando Scianna - Magnum Photos

Femme lisant dans le tramway à Milan (1997) by Ferdinando Scianna

Femme lisant dans le tramway à Milan (1997) by Ferdinando Scianna

Ferdinando Scianna Sicily, Leonforte. 1973

Ferdinando Scianna Sicily, Leonforte. 1973

by Ferdinando Scianna

by Ferdinando Scianna

Ferdinando Scianna, Ispica, Sicily 1976.

Ferdinando Scianna, Ispica, Sicily 1976.

Ferdinando Scianna

Ferdinando Scianna

Ferdinando Scianna

Ferdinando Scianna

New York City, 1985 Ferdinando Scianna, Magnum Photos

New York City, 1985 Ferdinando Scianna, Magnum Photos


Altre idee
everyone needs a little help now and then

everyone needs a little help now and then

Ferdinando Scianna - Sicily, Erice, a child in the street. 1987   #TuscanyAgriturismoGiratola

Ferdinando Scianna - Sicily, Erice, a child in the street. 1987 #TuscanyAgriturismoGiratola

Ferdinando Scianna, Benevento, Italy, 1995

Ferdinando Scianna, Benevento, Italy, 1995

The liberation of Paris  Robert Doisneau The liberation of Paris, 1944

The liberation of Paris Robert Doisneau The liberation of Paris, 1944

.
different layers, same photo different orientations and colour, use layers, 3D

different layers, same photo different orientations and colour, use layers, 3D

Italy Campania Ischia 1952

Italy Campania Ischia 1952

Herbert Dombrowski, 1950’s    Via

Herbert Dombrowski, 1950’s Via

photojournalism, a bomb hits the ground and the two men escaping. I am more interest in the faces of the men. I don't like this photo because I don't know why the photography took focus in the bomb and not the men.

photojournalism, a bomb hits the ground and the two men escaping. I am more interest in the faces of the men. I don't like this photo because I don't know why the photography took focus in the bomb and not the men.

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