SCULTURA ITALIANA / ITALIAN SCULPTURE

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Pugile a riposo

Pugile a riposo

Anima damnata di Bernini

Anima damnata di Bernini

Nanni di Banco - I quattro Santi Coronati

Nanni di Banco - I quattro Santi Coronati

Giuseppe Sanmartino - Cristo velato

Giuseppe Sanmartino - Cristo velato

Michelangelo - Bacco

Michelangelo - Bacco

Laocoonte di - Descrizione dell'opera e mostre in corso - ARTE.it

Laocoonte di - Descrizione dell'opera e mostre in corso - ARTE.it

Michelangelo - David

Michelangelo - David

Bernini - David

Bernini - David


Altre idee
Sg
San Pietro in Vincoli - Moise statue (Michelangelo)

San Pietro in Vincoli - Moise statue (Michelangelo)

Donatello - Geremia - 1427-1435 - Campanile di Giotto - ora Museo dell'Opera di Santa Maria del Fiore, Firenze

Donatello - Geremia - 1427-1435 - Campanile di Giotto - ora Museo dell'Opera di Santa Maria del Fiore, Firenze

Mano di Oloferne di Donatello

Mano di Oloferne di Donatello

"St. Matthew" 1419-1423 by Ghiberti in Bronze; Influences of Donatello are apparent; Ghiberti uses contropposto, and his figure is reminiscent of ancient Greek statues.

"St. Matthew" 1419-1423 by Ghiberti in Bronze; Influences of Donatello are apparent; Ghiberti uses contropposto, and his figure is reminiscent of ancient Greek statues.

Basilica di Santa Maria Gloriosa dei Frari - Venice, Italy - St. John the Baptist Statue by Donatello

Basilica di Santa Maria Gloriosa dei Frari - Venice, Italy - St. John the Baptist Statue by Donatello

Photographer: Georg Schaffert. Details of Tilman Riemenschneider's Creglinger Altar. Circa 1935

Photographer: Georg Schaffert. Details of Tilman Riemenschneider's Creglinger Altar. Circa 1935

escultura realizada en mármol por un joven Donatello entre los años 1416 y 1417. Fue una escultura encargada por el gremio de los fabricantes de armas y concebida para ocupar una de las hornacinas de Orsanmichele en la ciudad de Florencia, pero que en la actualidad se conserva y expone en el museo del Bargello de esa misma ciudad italiana.

escultura realizada en mármol por un joven Donatello entre los años 1416 y 1417. Fue una escultura encargada por el gremio de los fabricantes de armas y concebida para ocupar una de las hornacinas de Orsanmichele en la ciudad de Florencia, pero que en la actualidad se conserva y expone en el museo del Bargello de esa misma ciudad italiana.

Autoritratto (?) come Nicodemo, Pietà Bandini

Autoritratto (?) come Nicodemo, Pietà Bandini

Donatello, "Saint Mark", 1411-1413, H:236.2cm, Marble, Or San Michele, Florence, Italy. Commissioned by the guild of linen drapers. Donatello reintroduced the use of contrapposto to the early Renaissance. The display of weight shift and movement of the body is shown through the sculpture's slightly bent knees and relaxed posture. By sculpting the clothes with a wet drapery effect not only makes the cloth look like its hanging naturally but enhances the movement created with the body.

Donatello, "Saint Mark", 1411-1413, H:236.2cm, Marble, Or San Michele, Florence, Italy. Commissioned by the guild of linen drapers. Donatello reintroduced the use of contrapposto to the early Renaissance. The display of weight shift and movement of the body is shown through the sculpture's slightly bent knees and relaxed posture. By sculpting the clothes with a wet drapery effect not only makes the cloth look like its hanging naturally but enhances the movement created with the body.

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